Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    243 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    333 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 9,314 matching records exist across the two collections.

Results for "[Man and Camel]"12 records

Institutions answered newest-first by record, interleaved

Camel and riders by an unrecorded maker, The Metropolitan Museum of Art

Camel and riders

Unrecorded maker

ca. 1st century BCE–1st century CE · Silver

Cleared · Public Domain

live
The MetSimilar
The place of Jesus’s birth (folio 25 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier by an unrecorded maker, The Cleveland Museum of Art

The place of Jesus’s birth (folio 25 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

Unrecorded maker

1602–4 · Manuscript, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Camel by an unrecorded maker, The Metropolitan Museum of Art

Camel

Unrecorded maker

first half 12th century (possibly 1129–34) · Fresco transferred to canvas

Cleared · Public Domain

live
The MetSimilar
St. John the Baptist by Martin Schongauer, The Cleveland Museum of Art

St. John the Baptist

Martin Schongauer (d. 1491)

c. 1475 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Man Leading a Camel by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

Man Leading a Camel

Rembrandt (Rembrandt van Rijn) (d. 1669)

1650–69 · Pen and brown ink, traces of brush and brown wash

Cleared · Public Domain

live
The MetSimilar
Poros Assailed by the Macedonian Army (recto) by Perino del Vaga, The Cleveland Museum of Art

Poros Assailed by the Macedonian Army (recto)

Perino del Vaga (d. 1547)

c. 1545/47 · Drawing, pen and brown ink (iron gall) and brush and brown wash; framing lines in gold paint

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Camel by an unrecorded maker, The Metropolitan Museum of Art

Camel

Unrecorded maker

second half 18th century · Polychromed wooden body covered with stucco; wooden saddle and leather girth straps; burlap cushion and leather saddlebags

Cleared · Public Domain

live
The MetSimilar
Poros Assailed by the Macedonian Army (recto); Sketches of Animals (verso) by Perino del Vaga, The Cleveland Museum of Art

Poros Assailed by the Macedonian Army (recto); Sketches of Animals (verso)

Perino del Vaga (d. 1547)

c. 1545/47 · Drawing, pen and brown ink (iron gall) and brush and brown wash; framing lines in gold paint

Cleared · CC0

live
Cleveland Museum of ArtSimilar
[Soldier and Military Camel] by Gustave Le Gray, The Metropolitan Museum of Art

[Soldier and Military Camel]

Gustave Le Gray (d. 1884)

1866 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Sketches of Animals (verso) by Perino del Vaga, The Cleveland Museum of Art

Sketches of Animals (verso)

Perino del Vaga (d. 1547)

c. 1545/47 · Drawing, pen and brown ink (iron gall) and brush and brown wash

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Camel by Mary Atwood, The Metropolitan Museum of Art

Camel

Mary Atwood (d. 1900)

19th century · Lustreware

Cleared · Public Domain

live
The MetSimilar
Procession of Nobles by an unrecorded maker, The Cleveland Museum of Art

Procession of Nobles

Unrecorded maker

100–150 CE · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.