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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    377 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    336 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 18 matching records exist across the two collections.

Results for "[Man with Newspaper in Pocket, Looking O"12 records

Institutions answered newest-first by record, interleaved

Botanical plate with spray of lilies by Chelsea Porcelain Manufactory, The Metropolitan Museum of Art

Botanical plate with spray of lilies

Chelsea Porcelain Manufactory (d. 1784)

ca. 1755 · Soft-paste porcelain with enamel decoration

Cleared · Public Domain

live
The MetSimilar
La Visite à l'Atelier, from Croquis Parisiens, published in Le Charivari, May 22, 1857 by Honoré Daumier, The Metropolitan Museum of Art

La Visite à l'Atelier, from Croquis Parisiens, published in Le Charivari, May 22, 1857

Honoré Daumier (d. 1879)

May 22, 1857 · Lithograph; second state of two (Delteil)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior View of the Floating Church of Our Saviour for Seamen, New York

George Endicott, New York (d. 1848)

1844 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Interior View of the Floating Church of Our Saviour for Seamen, New York

Louis Nagel (d. 1870)

1844 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Interior View of the Floating Church of Our Saviour for Seamen, New York

Louis Nagel (d. 1870)

1844 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873

Dalziel Brothers (d. 1893)

1860–73 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Darktown Banjo Class -- All in Tune: "Thumb it darkies, thumb it -- O how loose I feel!"

Currier & Ives (d. 1907)

1886 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

John Kling from Sporting Life Cabinets (W600)

Sporting Life (d. 1924)

1903 · Commercial photolithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Samuel Crawford from Sporting Life Cabinets (W600)

Sporting Life (d. 1924)

1903 · Commercial photolithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Book and Glass

Juan Gris (d. 1927)

Paris, spring 1914 · Cut printed and painted papers, blue paper and tracing paper, with black and blue-green crayon, charcoal and and black oil paint on canvas, mounted to a honeycomb panel

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Man in White Suit and Straw Hat in Front of Newspaper Kiosk, Havana]

Walker Evans (d. 1975)

1933 · Film negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Man with Newspaper in Pocket, Looking Over Shoulder]

Leon Levinstein (d. 1988)

1970s–80s · Gelatin silver print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.