Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Open the docket Star on GitHub

Where this page got its records

The Metlive
212 ms. The Metropolitan Museum of Art, Collection API (Open Access)
Clevelandlive
299 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 43 matching records exist across the two collections.

Results for "[Merchants' Carnival Portrait: W. H. Gle"12 records

Institutions answered newest-first by record, interleaved

[Merchants' Carnival Portrait: A. Preston and Sons, Mazomanie, Wisconsin]

W. W. Burchell (d. 1909)

1880s–1890s · Albumen silver print

Cleared · Public Domain

live

The MetSimilar

[Merchants' Carnival Portrait: Charles W. Rundlett Photography Studio, Sharon, Wisconsin]

Charles W. Rundlett (d. 1915)

1880s–1890s · Gelatin silver print

Cleared · Public Domain

live

The MetSimilar

[Merchants' Carnival Portrait: H. D. Waller Boot Dealer, Independence, Oregon]

William H. Whiteaker (d. 1899)

1880s–1890s · Albumen silver print

Cleared · Public Domain

live

The MetSimilar

[Merchants' Carnival Portrait: J. W. Butler]

Unknown

1880s–1890s · Gelatin silver print

Cleared · Public Domain

live

The MetSimilar

[Merchants' Carnival Portrait: Mazomanie High School, Mazomanie, Wisconsin]

W. W. Burchell (d. 1909)

1880s–1890s · Albumen silver print

Cleared · Public Domain

live

The MetSimilar

[Merchants' Carnival Portrait: Mrs. Gleason, Mazomanie, Wisconsin]

W. W. Burchell (d. 1909)

1880s–1890s · Albumen silver print

Cleared · Public Domain

live

The MetSimilar

[Merchants' Carnival Portrait: Sutcliffe and Hazeltine, Mazomanie, Wisconsin]

W. W. Burchell (d. 1909)

1880s–1890s · Albumen silver print

Cleared · Public Domain

live

The MetSimilar

[Merchants' Carnival Portrait: The Register, Rochelle, Illinois]

W. H. Freeman (d. 1899)

1894 · Gelatin silver print

Cleared · Public Domain

live

The MetSimilar

[Merchants' Carnival Portrait: W. H. Gleason, MD, Mazomanie, Wisconsin]

W. W. Burchell (d. 1909)

1880s–1890s · Albumen silver print

Cleared · Public Domain

live

The MetSimilar

[Merchants' Carnival Portrait: W.W. Burchell Photography Studio, Mazomanie, Wisconsin]

W. W. Burchell (d. 1909)

1892 · Albumen silver print

Cleared · Public Domain

live

The MetSimilar

[Merchants' Carnival Portrait: William W. Briley's Fine Art Studio, Flushing, Michigan]

William W. Briley (d. 1889)

1880s–1890s · Albumen silver print

Cleared · Public Domain

live

The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Merchants' Carnival Portrait: John Paul Lumber, Estherville, Iowa]

H. H. Tosdal (d. 1965)

1880s–1890s · Albumen silver print

In copyright

live

The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.