Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
4163 ms. The Metropolitan Museum of Art, Collection API (Open Access)
275 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 45 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Family Album of Photographs of Fire Island and Troy, New York]
Charles S. Francis (d. 1899)
1889–90 · Gelatin silver prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album of American Wildflower Watercolors
Margaret Neilson Armstrong (d. 1944)
1909–18 · Watercolor over graphite with brown ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[New York Album: Fire Escapes]
Berenice Abbott (d. 1991)
1929 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Architectural Study: View Upwards of Fire Escapes and Balconies at Night, New York City]
Walker Evans (d. 1975)
1928–30 · Film negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Architectural Study: View Upwards of Fire Escapes and Balconies, New York City]
Walker Evans (d. 1975)
1928–30 · Film negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Architectural Study: View Upwards of Fire Escapes and Balconies, New York City]
Walker Evans (d. 1975)
1928–30 · Film negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Architectural Study: View Upwards of Fire Escapes and Balconies, New York City]
Walker Evans (d. 1975)
1928–30 · Film negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Architectural Study: View Upwards of Fire Escapes and Balconies, New York City]
Walker Evans (d. 1975)
1928–30 · Film negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Architectural Study: View Upwards of Fire Escapes and Balconies, New York City]
Walker Evans (d. 1975)
1928–30 · Film negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Architectural Study: View Upwards of Fire Escapes, New York City]
Walker Evans (d. 1975)
1928–30 · Film negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[New York Album Page: Chinatown, Mott Street Vicinity, Manhattan]
Berenice Abbott (d. 1991)
1929 · Gelatin silver prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[18 Views of Cat and Fire Escapes, New York City]
Walker Evans (d. 1975)
1940s–50s · Film negative
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.