
View from My Work Room Window in Hammond Street, New York City
John Hill (d. 1850)
ca. 1826–30 · Watercolor, pen and black ink, and graphite on off-white wove paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1120 ms. The Metropolitan Museum of Art, Collection API (Open Access)
340 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 17 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

View from My Work Room Window in Hammond Street, New York City
John Hill (d. 1850)
ca. 1826–30 · Watercolor, pen and black ink, and graphite on off-white wove paper
Cleared · Public Domain
live
Long Island Farmhouses
William Sidney Mount (d. 1868)
1862–63 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Twas a Calm Still Night"
Currier & Ives (d. 1907)
1875 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Line Shot -- The Aim
Thomas B. Worth (d. 1917)
1881 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bush Poppy (Dendromecon Rigida)
Margaret Neilson Armstrong (d. 1944)
June 6, 1912 · Watercolor and brown ink over graphite, with page design indicated in graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album of American Wildflower Watercolors
Margaret Neilson Armstrong (d. 1944)
1909–18 · Watercolor over graphite with brown ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Laundry Yard
Henry Prellwitz (d. 1940)
ca. 1910s · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[New York Album: Apartment Buildings and Hanging Laundry Lines, Chinatown]
Berenice Abbott (d. 1991)
1929 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[New York Album: Hanging Laundry]
Berenice Abbott (d. 1991)
1929 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[New York Album: Hanging Laundry]
Berenice Abbott (d. 1991)
1929 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[New York Album Page: Chinatown, Mott Street Vicinity, Manhattan]
Berenice Abbott (d. 1991)
1929 · Gelatin silver prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Gold Car Below Hanging Laundry, New York City]
Jerry Shore (d. 1994)
1984–94 · Chromogenic print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.