
Nursing woman
Unrecorded maker
ca. 2420–2389 BCE or later · Limestone, paint traces
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
360 ms. The Metropolitan Museum of Art, Collection API (Open Access)
381 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,284 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Nursing woman
Unrecorded maker
ca. 2420–2389 BCE or later · Limestone, paint traces
Cleared · Public Domain
live
Seated Woman Curling her Hair
Unrecorded maker
late 16th–early 17th century · Ink, opaque watercolor, and gold on paper
Cleared · Public Domain
live
Young Woman on a Cloud with Three Figures (recto); Studies of an Old Man and a Hand (verso)
Francesco Furini (d. 1646)
17th century · Red chalk, highlighted with white chalk
Cleared · Public Domain
live
Judith Slaying Holofernes, with Old Woman Servant
Anonymous, Spanish, School of Seville, 17th century (d. 1700)
17th century · Pen and brown ink with brush and brown wash over black chalk underdrawing. On off-white paper
Cleared · Public Domain
live
Bust-length portrait study of a young woman with a striped shawl
Joseph van Aken (d. 1749)
ca. 1740–60 · Black and white chalk, brown ink and graphite on blue laid paper, squared in graphite
Cleared · Public Domain
live
Sampler
Rebekah White (d. 1823)
1766 · Silk embroidery on linen
Cleared · Public Domain
live
Old Woman
Nicolas Bernard Lépicié (d. 1784)
ca. 1770–80 · Red, white, and black chalk, with stumping
Cleared · Public Domain
live
Portrait of an Old Woman
Anonymous, French, 19th century (d. 1900)
19th century · Black chalk, heightened with white chalk, on buff paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Woman in White Dress and Dark Shawl with Head Moving]
Hill and Adamson (d. 1848)
1843–47 · Salted paper print from paper negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Old Woman with White Shawl]
Unknown
1850s · Daguerreotype with applied color
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior Scene with Old Woman, Young Girl, and Cat (from Cropsey Album)
Unrecorded maker
1900 · Pen and ink, ink washes, graphite, and sgraffito on white wove paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman in a harlequin costume holding a mask
Sergey Sudeykin (d. 1946)
first half 20th century · Brush and black ink, gouache, watercolor
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.