
Crabs and Peonies
Itō Jakuchū 伊藤若冲 (d. 1800)
mid-18th century, before 1766 · Double-sided freestanding screen (tsuitate); ink and gold on paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
304 ms. The Metropolitan Museum of Art, Collection API (Open Access)
578 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 11 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Crabs and Peonies
Itō Jakuchū 伊藤若冲 (d. 1800)
mid-18th century, before 1766 · Double-sided freestanding screen (tsuitate); ink and gold on paper
Cleared · Public Domain
live
On Coast of Sussex
Thomas Rowlandson (d. 1827)
1784–85 · Etching; early state
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Regatta at Sainte-Adresse
Claude Monet (d. 1926)
1867 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873
Dalziel Brothers (d. 1893)
1860–73 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Which Donkey Shall I Take?
Currier & Ives (d. 1907)
1881 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Bicyclists
Fernand Léger (d. 1955)
1951 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Uruapan 11
Aaron Siskind (d. 1991)
1955 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Transvestite on a couch, N.Y.C.
Diane Arbus (d. 1971)
1966 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Transvestite with a torn stocking, N.Y.C.
Diane Arbus (d. 1971)
1966 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Pair of Bicycles on the Beach, Martha's Vineyard, Massachusetts]
Walker Evans (d. 1975)
September 28, 1974 · Instant internal dye diffusion transfer print (Polaroid SX-70)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.