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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    357 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    334 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,110 matching records exist across the two collections.

Results for "[Photo Collage: Man in Long Red Coat]"12 records

Institutions answered newest-first by record, interleaved

Inner anthropoid coffin of Hapiankhtifi by an unrecorded maker, The Metropolitan Museum of Art

Inner anthropoid coffin of Hapiankhtifi

Unrecorded maker

ca. 1981–1802 B.C. · Sycomore wood, paint, bitumen, cloth, gold leaf

Cleared · Public Domain

live
The MetSimilar
Man in a Long-sleeved Coat by Riza-yi 'Abbasi, The Metropolitan Museum of Art

Man in a Long-sleeved Coat

Riza-yi 'Abbasi (d. 1660)

ca. 1598 · Ink on paper

Cleared · Public Domain

live
The MetSimilar
[Photo Collage: Man in Long Red Coat] by Juan Pedro Chabalgoity, The Metropolitan Museum of Art

[Photo Collage: Man in Long Red Coat]

Juan Pedro Chabalgoity (d. 1909)

ca. 1875 · Albumen silver print, lithograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

In and Out of Condition

Thomas B. Worth (d. 1917)

1877 · Hand-colored lithograph with gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Jolly Jumper: "Come along Bismark. I bet you don't got me left."

Currier & Ives (d. 1907)

1888 · Lithograph, printed in color

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Sponging"

Thomas B. Worth (d. 1917)

1889 · Hand-colored lithograph, with touches of gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

John Tyler 1841-1845, from the President Photo series (W589)

Unrecorded maker

1924 · Commercial photolithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Martin Van Buren 1837-1841, from the President Photo series (W589)

Unrecorded maker

1924 · Commercial photolithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

(Velazquez - Infanta Margarita)

Ted Joans (d. 2003)

1990 · Cut and pasted printed papers on postcard

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Some Sum, July

Ted Joans (d. 2003)

1990 · Cut and pasted printed papers and colored pencil on postcard

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Un Sueño Libre, from "Guariquen: Images and Words Rican/Structured"

Juan Sanchez (d. 9999)

1987 · Hand-colored lithograph with collage

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Godollar Prompts the Prodigal Son to Return (Bosch)

Ted Joans (d. 2003)

1993 · Cut and pasted printed papers on postcard

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.