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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    455 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    284 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7,777 matching records exist across the two collections.

Results for "[Portrait of a Man in an Apron Seated on"12 records

Institutions answered newest-first by record, interleaved

Portrait of a Man by German (Nuremberg) Painter, The Metropolitan Museum of Art

Portrait of a Man

German (Nuremberg) Painter

1491 · Oil on linden

Cleared · Public Domain

live
The MetSimilar
A Man Seated on a Throne by Follower of Piero della Francesca, The Metropolitan Museum of Art

A Man Seated on a Throne

Follower of Piero della Francesca (d. 1492)

second half 15th century · Pen and brown ink, brush and brown ink, brown wash, heightened with white (partly oxidized), over traces of black chalk.

Cleared · Public Domain

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The MetSimilar
Portrait of a Man by Jacopo Tintoretto (Jacopo Robusti), The Metropolitan Museum of Art

Portrait of a Man

Jacopo Tintoretto (Jacopo Robusti) (d. 1594)

1550s · Oil on canvas

Cleared · Public Domain

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The MetSimilar
Portrait of a Man Seated in an Armchair by Dutch (Amsterdam) Painter, about 1640–50, The Metropolitan Museum of Art

Portrait of a Man Seated in an Armchair

Dutch (Amsterdam) Painter, about 1640–50 (d. 1650)

ca. 1640–50 · Oil on canvas

Cleared · Public Domain

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The MetSimilar
Portrait of a Seated Man by Gerard ter Borch the Younger, The Metropolitan Museum of Art

Portrait of a Seated Man

Gerard ter Borch the Younger (d. 1681)

late 1650s or early 1660s · Oil on wood

Cleared · Public Domain

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The MetSimilar
Portrait of a Man, Seated in Front of a Writing Desk by Henry Edridge, The Metropolitan Museum of Art

Portrait of a Man, Seated in Front of a Writing Desk

Henry Edridge (d. 1821)

1795–1800 · Watercolor over graphite with touches of gouache (bodycolor)

Cleared · Public Domain

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The MetSimilar
[Studio Portrait: Man Seated with Swords] by Unknown, The Metropolitan Museum of Art

[Studio Portrait: Man Seated with Swords]

Unknown

1869 · Albumen silver print

Cleared · Public Domain

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The MetSimilar
[Studio Portrait: Man Seated on Wooden Box ] by Juan de la Cruz Palomino, The Metropolitan Museum of Art

[Studio Portrait: Man Seated on Wooden Box ]

Juan de la Cruz Palomino (d. 1910)

1860s–70s · Albumen silver print

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of an elderly man seated in an armchair, a young man standing at left

Lucas Vorsterman II (d. 1666)

ca. 1656–60 · Etching

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of a white-haired, bearded man seated in an armchair

Anton Joseph von Prenner (d. 1761)

1728 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Portrait of a Man in an Apron Seated on a Barrel]

Unknown

ca. 1860s · Albumen silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Portrait of a Man Seated in a Chair]

Charles Thomas Newcombe (d. 1912)

ca. 1860s · Albumen silver print

In copyright

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The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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