
Terracotta statuette of a seated woman
Unrecorded maker
2nd–1st century BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
301 ms. The Metropolitan Museum of Art, Collection API (Open Access)
386 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 356 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Terracotta statuette of a seated woman
Unrecorded maker
2nd–1st century BCE · Terracotta
Cleared · Public Domain
live
Portrait of a Woman
Italian (Florentine) Painter (possibly Jacopo Zucchi, Florence 1541–1590 Rome) (d. 1590)
mid-16th century · Oil on wood
Cleared · Public Domain
live
Portrait of a young woman seated
Thomas Gainsborough (d. 1788)
ca. 1760 · Black chalk with touches of red wash
Cleared · Public Domain
live
Seated Woman
Imperial Russian Tapestry Manufactory, Saint Petersburg
late 18th century · Wool, metal thread (20-25 warps per inch, 8-10 per cm.)
Cleared · Public Domain
live![[Portrait of a Seated Woman Surrounded by Five Girls, Seated and Standing] by Franz Antoine, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP111511.jpg)
[Portrait of a Seated Woman Surrounded by Five Girls, Seated and Standing]
Franz Antoine (d. 1886)
1850s–60s · Albumen silver print from glass negative
Cleared · Public Domain
live![[Studio Portrait: Woman Seated Beside a Table, Singapore] by G. R. Lambert & Co., The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP-15801-095.jpg)
[Studio Portrait: Woman Seated Beside a Table, Singapore]
G. R. Lambert & Co. (d. 1889)
1870s · Albumen silver print
Cleared · Public Domain
live
Portrait of a Woman Seated at a Table
Will Houghton (d. 1916)
ca. 1896 · Watercolor, white and red tempera over graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Portrait of a Young Woman, Seated, Holding a Letter]
Meade Brothers (d. 1869)
ca. 1846 · Daguerreotype
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Studio Portrait of a Standing Woman and Child, and a Seated Woman, Brazil]
Unknown
1861–62 · Salted paper print glass negative from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Portrait of a Woman]
Unknown
1860s · Albumen silver print from glass negative with applied color
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Portrait of a Young Woman, Seated, Holding a Large Book]
Camille Silvy (d. 1869)
1860s · Albumen silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Studio Portrait of a Seated Woman]
Walter Baker (d. 1926)
ca. 1920 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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