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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1680 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    265 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 22 matching records exist across the two collections.

Results for "[Row of Brownstone Houses on Columbia He"12 records

Institutions answered newest-first by record, interleaved

Tutte l'opere d'architettura by Sebastiano Serlio, The Metropolitan Museum of Art

Tutte l'opere d'architettura

Sebastiano Serlio (d. 1554)

1584 · Printed book with woodcut illustrations

Cleared · Public Domain

live
The MetSimilar
Lewis Einstein by Eastman Johnson, The Metropolitan Museum of Art

Lewis Einstein

Eastman Johnson (d. 1906)

1882 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ravenswood, Long Island, near Halletts Cove [left half of print]

Nathaniel Currier (d. 1888)

1836 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Houses of Parliament and Government Offices, City of Toronto, U.C. [Upper Canada]

Thomas Young (d. 1860)

1836 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Kew Side, a Fragment (Kew, sur la Tamise)

Sir Francis Seymour Haden (d. 1910)

1864 · Etching and drypoint; first (final) state (Harrington); second state of two (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Grim Spain

Sir Francis Seymour Haden (d. 1910)

1877 · Etching; first (final) state (Harrington); first state of two (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Crack Trotter --"A Little Off"

Thomas B. Worth (d. 1917)

1880 · Hand-colored lithograph, with some gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

New York, a Series of Wood Engravings in Colour

Walter Prichard Eaton (d. 1957)

1915 · Illustrations: color wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Row of Brownstone Houses on Columbia Heights, Brooklyn, New York]

Walker Evans (d. 1975)

1929–31 · Film negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Row of Brownstone Houses with Lamppost in Foreground on Columbia Heights, Brooklyn, New York]

Walker Evans (d. 1975)

1929–31 · Glass negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Imina sirige (house mask)

Dogon artist

early–mid-20th century · Wood, pigment

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

House Post

Unrecorded maker

19th–early 20th century · Wood

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.