
Automaton in the Form of a Triumphal Chariot Drawn by Four Horses
Unrecorded maker
ca. 1760–70 · Gilt bronze, brilliants
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
193 ms. The Metropolitan Museum of Art, Collection API (Open Access)
282 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 385 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Automaton in the Form of a Triumphal Chariot Drawn by Four Horses
Unrecorded maker
ca. 1760–70 · Gilt bronze, brilliants
Cleared · Public Domain
live
Race Ground (An Excursion to Brighthelmstone)
Thomas Rowlandson (d. 1827)
June 1, 1790 · Etching and aquatint
Cleared · Public Domain
live
Reigate (An Excursion to Brighthelmstone)
Thomas Rowlandson (d. 1827)
June 1, 1790 · Etching and aquatint
Cleared · Public Domain
live
Carriage cloth, probably made for the Cavendish family, Dukes of Devonshire
Unrecorded maker
18th century · Wool, appliqued silk, metal thread
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View in Sixth Avenue, Between 55th and 57th Streets, New York, Looking West, from "J. Shannon's Manual"
W. C. Rogers & Co. (d. 1900)
1868 · Color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Marne Advance at Vaux
Lester George Hornby (d. 1956)
1918 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Row of Horse-Drawn Carriages, Quebec, Canada]
Walker Evans (d. 1975)
August 1929 · Film negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Row of Horse-Drawn Carriages, Quebec, Canada]
Walker Evans (d. 1975)
August 1929 · Film negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Row of Horse-Drawn Carriages, Quebec, Canada]
Walker Evans (d. 1975)
August 1929 · Film negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Row of Horse-Drawn Carriages, Quebec, Canada]
Walker Evans (d. 1975)
August 1929 · Film negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Martigues, France
Henri Cartier-Bresson (d. 2004)
1932 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.