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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    531 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    385 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 3,401 matching records exist across the two collections.

Results for "[Ruins in a Garden]"12 records

Institutions answered newest-first by record, interleaved

Musical Party in a Garden by an unrecorded maker, The Metropolitan Museum of Art

Musical Party in a Garden

Unrecorded maker

1647 · Canvas worked with silk thread; tent stitch

Cleared · Public Domain

live
The MetSimilar
The Temple of Flora, or Garden of Nature: A Group of Auriculas by Robert John Thornton, The Cleveland Museum of Art

The Temple of Flora, or Garden of Nature: A Group of Auriculas

Robert John Thornton (d. 1837)

1803 · Print, aquatint, stipple, and etching with watercolor added by hand

Cleared · CC0

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Cleveland Museum of ArtSimilar
Classical Ruins by Wenceslaus Hollar, The Metropolitan Museum of Art

Classical Ruins

Wenceslaus Hollar (d. 1677)

1673 · Etching; second state of two

Cleared · Public Domain

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The MetSimilar
Roman Ruins, from "Roman Ruins" by Wenceslaus Hollar, The Metropolitan Museum of Art

Roman Ruins, from "Roman Ruins"

Wenceslaus Hollar (d. 1677)

1673 · Etching; first state of three

Cleared · Public Domain

live
The MetSimilar
Ruins and a barred gate on the Esquiline Hill in Rome, from "Roman Ruins" by Wenceslaus Hollar, The Metropolitan Museum of Art

Ruins and a barred gate on the Esquiline Hill in Rome, from "Roman Ruins"

Wenceslaus Hollar (d. 1677)

1673 · Etching; first state of three

Cleared · Public Domain

live
The MetSimilar
Ruins and a barred gate on the Esquiline Hill in Rome, from "Roman Ruins" by Wenceslaus Hollar, The Metropolitan Museum of Art

Ruins and a barred gate on the Esquiline Hill in Rome, from "Roman Ruins"

Wenceslaus Hollar (d. 1677)

1673 · Etching, first state of three, graphite and red pencil additions, not by Hollar

Cleared · Public Domain

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The MetSimilar
Ruins of a round building, from "Roman Ruins" by Wenceslaus Hollar, The Metropolitan Museum of Art

Ruins of a round building, from "Roman Ruins"

Wenceslaus Hollar (d. 1677)

1673 · Etching; first state of three

Cleared · Public Domain

live
The MetSimilar
Ruins of a Round Building, from "Roman Ruins" by Wenceslaus Hollar, The Metropolitan Museum of Art

Ruins of a Round Building, from "Roman Ruins"

Wenceslaus Hollar (d. 1677)

1673 · Etching, first state of three

Cleared · Public Domain

live
The MetSimilar
A Colonnade in Ruins by Hubert Robert, The Metropolitan Museum of Art

A Colonnade in Ruins

Hubert Robert (d. 1808)

1808 · Oil on canvas

Cleared · Public Domain

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The MetSimilar
[Ruins in a Garden] by Unknown, The Metropolitan Museum of Art

[Ruins in a Garden]

Unknown

1870s · Albumen silver print

Cleared · Public Domain

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The MetSimilar
A Recollection of Stevington, Bedfordshire–A Spinney in December by William Fraser Garden, The Metropolitan Museum of Art

A Recollection of Stevington, Bedfordshire–A Spinney in December

William Fraser Garden (d. 1921)

1882 · Gouache (bodycolor), watercolor, gum, graphite, reductive techniques

Cleared · Public Domain

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The MetSimilar
Architectural Ruins with a View of a Garden; Stage design for "Ballo don Parasol" by Carlo Ferrario, The Metropolitan Museum of Art

Architectural Ruins with a View of a Garden; Stage design for "Ballo don Parasol"

Carlo Ferrario (d. 1907)

1845–1907 · Graphite; partly squared in graphite

Cleared · Public Domain

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The MetSimilar

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