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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    251 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    373 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 30 matching records exist across the two collections.

Results for "[Self-Portrait, Seated in Hanns Skolle's"12 records

Institutions answered newest-first by record, interleaved

Self-portrait by Simon Bening, The Metropolitan Museum of Art

Self-portrait

Simon Bening (d. 1561)

1558 · Tempera and gold leaf on parchment

Cleared · Public Domain

live
The MetSimilar
Portrait of a Woman by Italian (Florentine) Painter (possibly Jacopo Zucchi, Florence 1541–1590 Rome), The Metropolitan Museum of Art

Portrait of a Woman

Italian (Florentine) Painter (possibly Jacopo Zucchi, Florence 1541–1590 Rome) (d. 1590)

mid-16th century · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Portrait of Monsieur Aublet by Guillaume Voiriot, The Metropolitan Museum of Art

Portrait of Monsieur Aublet

Guillaume Voiriot (d. 1799)

ca. 1782 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
John Kay, Drawn and Engraved by Himself (Self Portrait with Cat) by John Kay, The Metropolitan Museum of Art

John Kay, Drawn and Engraved by Himself (Self Portrait with Cat)

John Kay (d. 1826)

1786 · Etching

Cleared · Public Domain

live
The MetSimilar
Self Portrait by Unknown Artist, The Metropolitan Museum of Art

Self Portrait

Unknown Artist

ca. 1800–1805 · Watercolor on ivory

Cleared · Public Domain

live
The MetSimilar
Seated Woman, Back View by Egon Schiele, The Metropolitan Museum of Art

Seated Woman, Back View

Egon Schiele (d. 1918)

1917 · Watercolor, gouache, and graphite on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Man Seated with an Oblong Basket, Spain]

Alphonse Delaunay (d. 1906)

1851–54 · Albumen silver print from a paper negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Two Men, One Seated, Spain]

Alphonse Delaunay (d. 1906)

1851–54 · Albumen silver print from a paper negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Self-Portrait, Seated in Hanns Skolle's Apartment at 13 East 14th Street, New York City]

Walker Evans (d. 1975)

March 1928 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Self-Portrait with Camera and Hanns Skolle in Mirror]

Walker Evans (d. 1975)

1928–30 · Film negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Self-Portrait Seated in Foreshortening

Avigdor Arikha (d. 2010)

1972 · Sugar-lift aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Self-Portrait Looking at The Last Supper

Marisol (d. 2016)

1982–84 · Wood, plywood, stone, plaster, aluminum, dye, charcoal

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.