Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    671 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    420 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 28 matching records exist across the two collections.

Results for "[Seven Views of Boston Architecture, Com"12 records

Institutions answered newest-first by record, interleaved

The Seven Churches of Rome (Le Sette Chiese di Roma), from "Speculum Romanae Magnificentiae" by Giovanni Ambrogio Brambilla, The Metropolitan Museum of Art

The Seven Churches of Rome (Le Sette Chiese di Roma), from "Speculum Romanae Magnificentiae"

Giovanni Ambrogio Brambilla (d. 1599)

1575 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
View of St. Peter's and the Vatican from the Janiculum by Richard Wilson, The Metropolitan Museum of Art

View of St. Peter's and the Vatican from the Janiculum

Richard Wilson (d. 1782)

1754 · Black chalk with stumping, heightened with white chalk on blue paper; laid down on original paper mount with purple border

Cleared · Public Domain

live
The MetSimilar
CAPITOL. / WASHINGTON by John & William Ridgway, The Metropolitan Museum of Art

CAPITOL. / WASHINGTON

John & William Ridgway (d. 1830)

ca. 1830 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar
Nahant Hotel/ near/ Boston by Joseph Stubbs, The Metropolitan Museum of Art

Nahant Hotel/ near/ Boston

Joseph Stubbs (d. 1836)

ca. 1825–ca. 1836 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar
VIEW of the/ CAPITOL AT/ WASHINGTON/ W.R. by William Ridgway & Co., The Metropolitan Museum of Art

VIEW of the/ CAPITOL AT/ WASHINGTON/ W.R.

William Ridgway & Co. (d. 1854)

ca. 1840–ca. 1854 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wooden House near the Water (perhaps an early idea for Cliffs, Manchester, Massachusetts)

Arthur Little (d. 1925)

ca. 1879 · Graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wooden House near the Water (perhaps an early idea for Cliffs, Manchester, Massachusetts)

Arthur Little (d. 1925)

ca. 1879 · Graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wooden House near the Water (perhaps an early idea for Cliffs, Manchester, Massachusetts)

Arthur Little (d. 1925)

ca. 1879 · Watercolor and graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[32 Views of Massachusetts and Maine Resort Hotels for Fortune Article "Summer North of Boston"]

Walker Evans (d. 1975)

1949 · Color film transparency

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[219 Views of Boston Architecture, Commissioned by Fortune for "The Athenian Reach", Published June 1964]

Walker Evans (d. 1975)

January 10–12, 1964 · Film negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Seven Views of Boston Architecture, Commissioned by Fortune Magazine for "The Athenian Reach", Published June 1964]

Walker Evans (d. 1975)

January 10–12, 1964 · Film negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

12 Views for Caroline Tatyana

Brice Marden (d. 2023)

1977–79, published in 1989 · Etching and aquatint

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.