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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    57 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    16 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 194 matching records exist across the two collections.

Results for "[Standing Men on Top of Scaffolding on B"12 records

Institutions answered newest-first by record, interleaved

Standing cup (half of a double cup) by Michael Czikos de Tarcal, The Metropolitan Museum of Art

Standing cup (half of a double cup)

Michael Czikos de Tarcal (d. 1612)

early 17th century · Silver

Cleared · Public Domain

live
The MetSimilar
Cabinet top by an unrecorded maker, The Metropolitan Museum of Art

Cabinet top

Unrecorded maker

1650–1700 · Silk and beads on silk

Cleared · Public Domain

live
The MetSimilar
Standing Cup by Karl Theodore Bitter, The Metropolitan Museum of Art

Standing Cup

Karl Theodore Bitter (d. 1915)

ca. 1900 · Gold

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Fast Team -- "Out on the Loose"

Thomas B. Worth (d. 1917)

1859 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Getting a Boost

Thomas B. Worth (d. 1917)

1882 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

On the Homestretch

Thomas B. Worth (d. 1917)

1882 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Surprise Party: Parson, "Ah! Habn't I done tole yer not to covert yer neighbor's fowl?"

Thomas B. Worth (d. 1917)

1883 · Hand-colored lithograph, with touches of gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Eating Crow on a Wager: De Fust Brace

Thomas B. Worth (d. 1917)

1883 · Hand-colored lithograph, with gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Eating Crow on a Wager: De Last Lap

Thomas B. Worth (d. 1917)

1883 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study of a Standing Man

Arthur B. Davies (d. 1928)

1928 · Black and white pastel on gray wove paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two Standing Men

Willem de Kooning (d. 1997)

1938 · Oil and charcoal on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Standing Men on Top of Scaffolding on Brick Building]

Unknown

ca. 1955 · Gelatin silver print

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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