
Standing cup (half of a double cup)
Michael Czikos de Tarcal (d. 1612)
early 17th century · Silver
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
57 ms. The Metropolitan Museum of Art, Collection API (Open Access)
16 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 194 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Standing cup (half of a double cup)
Michael Czikos de Tarcal (d. 1612)
early 17th century · Silver
Cleared · Public Domain
live
Cabinet top
Unrecorded maker
1650–1700 · Silk and beads on silk
Cleared · Public Domain
live
Standing Cup
Karl Theodore Bitter (d. 1915)
ca. 1900 · Gold
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Fast Team -- "Out on the Loose"
Thomas B. Worth (d. 1917)
1859 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Getting a Boost
Thomas B. Worth (d. 1917)
1882 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
On the Homestretch
Thomas B. Worth (d. 1917)
1882 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Surprise Party: Parson, "Ah! Habn't I done tole yer not to covert yer neighbor's fowl?"
Thomas B. Worth (d. 1917)
1883 · Hand-colored lithograph, with touches of gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Eating Crow on a Wager: De Fust Brace
Thomas B. Worth (d. 1917)
1883 · Hand-colored lithograph, with gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Eating Crow on a Wager: De Last Lap
Thomas B. Worth (d. 1917)
1883 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study of a Standing Man
Arthur B. Davies (d. 1928)
1928 · Black and white pastel on gray wove paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Standing Men
Willem de Kooning (d. 1997)
1938 · Oil and charcoal on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Standing Men on Top of Scaffolding on Brick Building]
Unknown
ca. 1955 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.