No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Broadway at Night
Alvin Langdon Coburn (d. 1966)
ca. 1910 · Photogravure
In copyright
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
29 ms. The Metropolitan Museum of Art, Collection API (Open Access)
7 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5,998 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Broadway at Night
Alvin Langdon Coburn (d. 1966)
ca. 1910 · Photogravure
In copyright
live
The Lantern Night Excursion of Zhong Kui
Yan Hui (d. 1310)
late 1200s–early 1300s · Painting, handscroll; ink and slight color on silk
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
West Forty-Second Street, Night
John Taylor Arms (d. 1953)
1922 · Etching and aquatint, printed in blue and black inks
In copyright
live
Star of Kings, A Night Piece
Jan van de Velde (d. 1662)
1630 · Print, engraving
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Brassaï Photographing, Boulevard Saint-Jacques
Brassaï (d. 1984)
1931–32, printed 1960s · Gelatin silver print
In copyright
live
Woman Standing among the Friars (recto) Sketches of Heads (verso, left); Two Women (verso, right)
John Brown (d. 1787)
c. 1770–75 · Drawing, graphite and gray and black wash with point of brush
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New York Street Scene
George Grosz (d. 1959)
1934 · Watercolor and brush and black ink on paper
In copyright
live
Woman Standing among the Friars (recto)
John Brown (d. 1787)
c. 1770–75 · Drawing, graphite and gray and black wash with point of brush
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Street at Night]
Walker Evans (d. 1975)
1935 · Film negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Street Corner at Night]
Walker Evans (d. 1975)
1935 · Film negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Street at Night
Jack Markow (d. 1983)
1935–43 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mulberry Street
Sid Grossman (d. 1955)
1948 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.