
Valance, blue-resist textile
Unrecorded maker
ca. 1725–75 · Cotton, painted and block-printed resist, dyed
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
319 ms. The Metropolitan Museum of Art, Collection API (Open Access)
310 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 21 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Valance, blue-resist textile
Unrecorded maker
ca. 1725–75 · Cotton, painted and block-printed resist, dyed
Cleared · Public Domain
live
Study For Liberty Displaying the Arts and Sciences, or The Genius of America Encouraging the Emancipation of the Blacks
Samuel Jennings (d. 1834)
ca. 1791–92 · Oil on canvas
Cleared · Public Domain
live
Pompeii, Pompey’s Lane, Tomb Monument of Mamia
Firmin-Eugène Le Dien (d. 1865)
ca. 1853 · Salted paper print from a waxed paper negative
Cleared · Public Domain
live
Plaque
Charles Volkmar (d. 1914)
ca. 1895 · Earthenware
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
House of the Dioscuri, Pompeii
Firmin-Eugène Le Dien (d. 1865)
1852–53 · Salted paper print from paper negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shingleside, Swampscott, Massachusetts
Arthur Little (d. 1925)
1880–81 · Graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Outline Drawing of "Sassafras Linen Press"
Byrdcliffe Arts and Crafts Colony (d. 1915)
1904 · Graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Saint Paul's, Manhattan
John Marin (d. 1953)
1914 · Watercolor and charcoal on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fireplace and Paneled Wall, Office of Arthur Little
Arthur Little (d. 1925)
late 19th–early 20th century · Pen and ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Abstract Signs and Temple Frieze
Mohan Samant (d. 2004)
1964 · Oil, plaster, sand, charcoal on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Studies of Colonial Architectural Fragments and Stepped Circle, Baja California, Mexico; and 2 Views from train en route from New York to Marfa, Texas]
Donald Judd (d. 1994)
1965–67 · Chromogenic prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tabaski III
Iba Ndiaye (d. 2008)
1970 · Oil on plywood
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.