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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    319 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    310 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 21 matching records exist across the two collections.

Results for "[Studies of Colonial Architectural Fragm"12 records

Institutions answered newest-first by record, interleaved

Valance, blue-resist textile by an unrecorded maker, The Metropolitan Museum of Art

Valance, blue-resist textile

Unrecorded maker

ca. 1725–75 · Cotton, painted and block-printed resist, dyed

Cleared · Public Domain

live
The MetSimilar
Study For Liberty Displaying the Arts and Sciences, or The Genius of America Encouraging the Emancipation of the Blacks by Samuel Jennings, The Metropolitan Museum of Art

Study For Liberty Displaying the Arts and Sciences, or The Genius of America Encouraging the Emancipation of the Blacks

Samuel Jennings (d. 1834)

ca. 1791–92 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Pompeii, Pompey’s Lane, Tomb Monument of Mamia by Firmin-Eugène Le Dien, The Metropolitan Museum of Art

Pompeii, Pompey’s Lane, Tomb Monument of Mamia

Firmin-Eugène Le Dien (d. 1865)

ca. 1853 · Salted paper print from a waxed paper negative

Cleared · Public Domain

live
The MetSimilar
Plaque by Charles Volkmar, The Metropolitan Museum of Art

Plaque

Charles Volkmar (d. 1914)

ca. 1895 · Earthenware

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

House of the Dioscuri, Pompeii

Firmin-Eugène Le Dien (d. 1865)

1852–53 · Salted paper print from paper negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shingleside, Swampscott, Massachusetts

Arthur Little (d. 1925)

1880–81 · Graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Outline Drawing of "Sassafras Linen Press"

Byrdcliffe Arts and Crafts Colony (d. 1915)

1904 · Graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Saint Paul's, Manhattan

John Marin (d. 1953)

1914 · Watercolor and charcoal on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fireplace and Paneled Wall, Office of Arthur Little

Arthur Little (d. 1925)

late 19th–early 20th century · Pen and ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Abstract Signs and Temple Frieze

Mohan Samant (d. 2004)

1964 · Oil, plaster, sand, charcoal on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Studies of Colonial Architectural Fragments and Stepped Circle, Baja California, Mexico; and 2 Views from train en route from New York to Marfa, Texas]

Donald Judd (d. 1994)

1965–67 · Chromogenic prints

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tabaski III

Iba Ndiaye (d. 2008)

1970 · Oil on plywood

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.