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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    306 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    296 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 21 matching records exist across the two collections.

Results for "[Studio Portrait: Eugène Delacroix Seate"12 records

Institutions answered newest-first by record, interleaved

Alfred Dedreux (1810–1860) as a Child by Théodore Géricault, The Metropolitan Museum of Art

Alfred Dedreux (1810–1860) as a Child

Théodore Géricault (d. 1824)

ca. 1819–20 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
[Studio Portrait: Seated Woman and Standing Boy Street Vendors with Vegetable Baskets, Brazil] by Christiano Junior, The Metropolitan Museum of Art

[Studio Portrait: Seated Woman and Standing Boy Street Vendors with Vegetable Baskets, Brazil]

Christiano Junior (d. 1902)

1864 · Albumen silver print

Cleared · Public Domain

live
The MetSimilar
Facsimile of Hamlet Reproaches His Mother by Alfred-Ernest Robaut, The Metropolitan Museum of Art

Facsimile of Hamlet Reproaches His Mother

Alfred-Ernest Robaut (d. 1909)

1865 · Lithograph

Cleared · Public Domain

live
The MetSimilar
[Studio Portrait: Female Street Vendor Seated Wearing Turban, Brazil] by Unknown, The Metropolitan Museum of Art

[Studio Portrait: Female Street Vendor Seated Wearing Turban, Brazil]

Unknown

1864–66 · Albumen silver print

Cleared · Public Domain

live
The MetSimilar
[Studio Portrait: Two Male Street Vendors in Profile, one Seated one Standing, Shaking Hands, Brazil] by Christiano Junior, The Metropolitan Museum of Art

[Studio Portrait: Two Male Street Vendors in Profile, one Seated one Standing, Shaking Hands, Brazil]

Christiano Junior (d. 1902)

1864–66 · Albumen silver print

Cleared · Public Domain

live
The MetSimilar
[Studio Portrait: Eugène Delacroix Seated in Chair] by Pierre Petit, The Metropolitan Museum of Art

[Studio Portrait: Eugène Delacroix Seated in Chair]

Pierre Petit (d. 1909)

1850s–60s · Albumen silver print

Cleared · Public Domain

live
The MetSimilar
[Studio Portrait: Actor in Costume Wearing Long Beard, Japan] by Unknown, The Metropolitan Museum of Art

[Studio Portrait: Actor in Costume Wearing Long Beard, Japan]

Unknown

1860s–70s · Albumen silver print

Cleared · Public Domain

live
The MetSimilar
[Studio Portrait: Man Seated on Wooden Box ] by Juan de la Cruz Palomino, The Metropolitan Museum of Art

[Studio Portrait: Man Seated on Wooden Box ]

Juan de la Cruz Palomino (d. 1910)

1860s–70s · Albumen silver print

Cleared · Public Domain

live
The MetSimilar
[Studio Portrait: Woman Seated Beside a Table Leaning on Elbow] by C.D. Fredricks & Co., The Metropolitan Museum of Art

[Studio Portrait: Woman Seated Beside a Table Leaning on Elbow]

C.D. Fredricks & Co. (d. 1880)

1860s–70s · Albumen silver print

Cleared · Public Domain

live
The MetSimilar
[Studio Portrait: Woman Seated Beside a Table, Singapore] by G. R. Lambert & Co., The Metropolitan Museum of Art

[Studio Portrait: Woman Seated Beside a Table, Singapore]

G. R. Lambert & Co. (d. 1889)

1870s · Albumen silver print

Cleared · Public Domain

live
The MetSimilar
"Have you pray'd tonight, Dedesmona?": plate 12 from Othello (Act 5, Scene 2) by Théodore Chassériau, The Metropolitan Museum of Art

"Have you pray'd tonight, Dedesmona?": plate 12 from Othello (Act 5, Scene 2)

Théodore Chassériau (d. 1856)

etched 1844, reprinted 1900 · Etching, engraving, and roulette on chine collé; second edition (Gazette des Beaux-Arts, 1900)

Cleared · Public Domain

live
The MetSimilar
"She lov'd me for the dangers I had pass'd": plate 3 from Othello (Act 1, Scene 3) by Théodore Chassériau, The Metropolitan Museum of Art

"She lov'd me for the dangers I had pass'd": plate 3 from Othello (Act 1, Scene 3)

Théodore Chassériau (d. 1856)

etched 1844, reprinted 1900 · Etching, engraving, roulette, and drypoint on chine collé; second edition (Gazette des Beaux-Arts)

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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