The conversion of the Centurion who flings his arms open before Christ on the cross
Master of the Die (d. 1560)
1532 · Engraving
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
830 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
299 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,919 matching records exist across the two collections.
Results for "[The Photographer before his Tent on the"12 records
Institutions answered newest-first by record, interleaved
Mahakala, Protector of the Tent
Unrecorded maker
ca. 1500 · Distemper on cloth
Cleared · Public Domain
liveThe MetSimilar
Brennus throwing his sword on the scales before Camillus
Léon Davent (d. 1556)
1540–56 · Etching
Cleared · Public Domain
liveThe MetSimilar
Mahakala, Protector of the Tent
Unrecorded maker
ca. 1650 · Distemper and gold on blue silk
Cleared · Public Domain
liveThe MetSimilar
![[The Photographer before his Tent on the Site of the Pyramid of Khafre (Chephren)] by George Wilson Bridges, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP247484.jpg)
[The Photographer before his Tent on the Site of the Pyramid of Khafre (Chephren)]
George Wilson Bridges (d. 1864)
1851 · Salted paper print from paper negative
Cleared · Public Domain
liveThe MetSimilar
The Undersigned Photographer as He Was Before 1848
Louis-Pierre-Théophile Dubois de Nehaut (d. 1872)
1854–56 · Salted paper print from paper negative
Cleared · Public Domain
liveThe MetSimilar
![[Isambard Kingdom Brunel Standing Before the Launching Chains of the Great Eastern] by Robert Howlett, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DT238395.jpg)
[Isambard Kingdom Brunel Standing Before the Launching Chains of the Great Eastern]
Robert Howlett (d. 1858)
1857, printed 1863–64 · Albumen silver print from glass negative
Cleared · Public Domain
liveThe MetSimilar
The Great Pyramid and The Great Sphinx
Francis Frith (d. 1898)
1858 · Albumen silver print from glass negative
Cleared · Public Domain
liveThe MetSimilar
The Manirung Pass
Samuel Bourne (d. 1912)
1860s · Albumen silver print from glass negative
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mission Tent
Jerome Myers (d. 1940)
1906 · Oil on canvas
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Circus Tent
Edward Weston (d. 1958)
1924 · Gelatin silver print
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Photographer
Jacob Lawrence (d. 2000)
1942 · Watercolor, gouache, and graphite on paper
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.