Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    655 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    611 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 306 matching records exist across the two collections.

Results for "[Three Men Seated in a Horse-Drawn Buggy"12 records

Institutions answered newest-first by record, interleaved

Gentleman Seated in an Armchair by Charles de la Fosse, The Metropolitan Museum of Art

Gentleman Seated in an Armchair

Charles de la Fosse (d. 1716)

late 17th century–early 18th century · Red, black, and white chalk, on beige paper

Cleared · Public Domain

live
The MetSimilar
Plate 4: Recruiting, from "World in Miniature" by Thomas Rowlandson, The Metropolitan Museum of Art

Plate 4: Recruiting, from "World in Miniature"

Thomas Rowlandson (d. 1827)

1816 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
[Three Men Seated in a Horse-Drawn Buggy in Front of a Building Under Construction] by Unknown, The Metropolitan Museum of Art

[Three Men Seated in a Horse-Drawn Buggy in Front of a Building Under Construction]

Unknown

1850s–60s · Ambrotype

Cleared · Public Domain

live
The MetSimilar
[Two Men Seated in a Horse-Drawn Carriage in Front of Niagara Falls] by Unknown, The Metropolitan Museum of Art

[Two Men Seated in a Horse-Drawn Carriage in Front of Niagara Falls]

Unknown

1860s · Ambrotype

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Hard Road to Travel

Thomas B. Worth (d. 1917)

1862 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Farmer's Home --Summer

Frances Flora Bond Palmer (d. 1876)

1864 · Two-stone lithograph, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Farmer's Home--Harvest

Frances Flora Bond Palmer (d. 1876)

1864 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Taking A Smash"

Currier & Ives (d. 1907)

1872-1874 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Butt of the Jokers

Currier & Ives (d. 1907)

1879 · Hand-colored lithograph, with some gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Why Don't Yer Come Along?

Thomas B. Worth (d. 1917)

1883 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Jay Eye Sore -- De Great World Beater: "When dat colt am warmed he kin lay 'em all out!"

Currier & Ives (d. 1907)

1884–1892 · Hand-colored lithograph, with touches of gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Belt

Hermès (d. 9999)

ca. 1945 · wool, silk, metal

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.