Design for a Classical Country House, Back Elevation
Anonymous, British, 19th century (d. 1900)
early 19th century · Watercolo, pen and ink
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
2321 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
594 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 783 matching records exist across the two collections.
Results for "[Two-Story House with Cast-Iron Porch an"12 records
Institutions answered newest-first by record, interleaved
A Home in the Country
Frances Flora Bond Palmer (d. 1876)
1857–68 · Hand-colored lithograph
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Farmer's Home --Summer
Frances Flora Bond Palmer (d. 1876)
1864 · Two-stone lithograph, hand-colored
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Farmer's Home--Harvest
Frances Flora Bond Palmer (d. 1876)
1864 · Hand-colored lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Brush for the Lead: New York "Flyers" on the Snow
Thomas B. Worth (d. 1917)
1867 · Two-color lithograph, hand-colored and with touches of gum arabic
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Park Avenue Hotel
Anonymous, American, 19th century (d. 1900)
ca. 1878 · Lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Why Don't Yer Come Along?
Thomas B. Worth (d. 1917)
1883 · Hand-colored lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Two 35mm Film Frames: Hotel Façade with Second-Story Cast-Iron Porch, Southeastern U.S.]
Walker Evans (d. 1975)
1934–35 · Film negative
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Two-Story House with Cast-Iron Porch and Balcony, Mobile, Alabama]
Walker Evans (d. 1975)
March 1935 · Film negative
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Two-Story House with Cast-Iron Porch and Balcony, Mobile, Alabama]
Walker Evans (d. 1975)
March 1935 · Film negative
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Greek Revival House with Two-Story Full Façade Porches and Cast Iron Fence, Beaufort, South Carolina]
Walker Evans (d. 1975)
March 1936 · Film negative
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Stories with Porch (for Robert Cobuzio)
Donna Dennis (d. 9999)
1977–79 · Acrylic and enamel on wood and Masonite, with glass, wallpaper, cellulose compound, metal screen, plastic, neon and incandescent light
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.