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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    241 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    281 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 28 matching records exist across the two collections.

Results for "[View From Music Court to South Transept"12 records

Institutions answered newest-first by record, interleaved

Eleonora, Wife of Ferdinand II, from the series Ferdinandus II et III Imperatorum Domus Austriacae... by Pieter Van Sompel, The Metropolitan Museum of Art

Eleonora, Wife of Ferdinand II, from the series Ferdinandus II et III Imperatorum Domus Austriacae...

Pieter Van Sompel (d. 1643)

ca. 1625 · Engraving and etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Snuffbox by Nymphenburg Porcelain Manufactory, The Metropolitan Museum of Art

Snuffbox

Nymphenburg Porcelain Manufactory (d. 9999)

ca. 1770 · Hard-paste porcelain; gold

Cleared · Public Domain

live
The MetSimilar
General View of the Interior, from "Recollections of the Great Exhibition, 1851" by John Absolon, The Metropolitan Museum of Art

General View of the Interior, from "Recollections of the Great Exhibition, 1851"

John Absolon (d. 1895)

September 1, 1851 · Hand-colored lithograph

Cleared · Public Domain

live
The MetSimilar
Salisbury Cathedral - The Nave, from the South Transept by Roger Fenton, The Metropolitan Museum of Art

Salisbury Cathedral - The Nave, from the South Transept

Roger Fenton (d. 1819)

1858 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
[Alhambra and Court of Lions; View in South Transept] by Philip Henry Delamotte, The Metropolitan Museum of Art

[Alhambra and Court of Lions; View in South Transept]

Philip Henry Delamotte (d. 1889)

ca. 1859 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
[View From Music Court to South Transept; View in Tropical Department; View of the Egyptian Court; View of North Transept] by Philip Henry Delamotte, The Metropolitan Museum of Art

[View From Music Court to South Transept; View in Tropical Department; View of the Egyptian Court; View of North Transept]

Philip Henry Delamotte (d. 1889)

ca. 1859 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

King Tirumala Nayaka in Procession

Unrecorded maker

1640–50 · Cotton, hand-painted mordant-dyed and resist-dyed (kalamkari)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

XII Views in Aquatinta From Drawings Taken on the Spot in South Wales

Paul Sandby (d. 1809)

1775 · Etching and aquatint; third state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Transept from the South Gallery, from "Recollections of the Great Exhibition, 1851"

John Absolon (d. 1895)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Koto (箏)

Unrecorded maker

19th century · Wood, mother of pearl, metal, ivory, lacquer

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Saravatī Vīnā

Unrecorded maker

19th century · Wood, ivory, metal, gourd

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Old Justiciary Court House, Glasgow

Sir Muirhead Bone (d. 1953)

1911 · Drypoint and etching; seventh (final) state

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.