
Eleonora, Wife of Ferdinand II, from the series Ferdinandus II et III Imperatorum Domus Austriacae...
Pieter Van Sompel (d. 1643)
ca. 1625 · Engraving and etching; second state of two
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
241 ms. The Metropolitan Museum of Art, Collection API (Open Access)
281 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 28 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Eleonora, Wife of Ferdinand II, from the series Ferdinandus II et III Imperatorum Domus Austriacae...
Pieter Van Sompel (d. 1643)
ca. 1625 · Engraving and etching; second state of two
Cleared · Public Domain
live
Snuffbox
Nymphenburg Porcelain Manufactory (d. 9999)
ca. 1770 · Hard-paste porcelain; gold
Cleared · Public Domain
live
General View of the Interior, from "Recollections of the Great Exhibition, 1851"
John Absolon (d. 1895)
September 1, 1851 · Hand-colored lithograph
Cleared · Public Domain
live
Salisbury Cathedral - The Nave, from the South Transept
Roger Fenton (d. 1819)
1858 · Albumen silver print from glass negative
Cleared · Public Domain
live![[Alhambra and Court of Lions; View in South Transept] by Philip Henry Delamotte, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP322147.jpg)
[Alhambra and Court of Lions; View in South Transept]
Philip Henry Delamotte (d. 1889)
ca. 1859 · Albumen silver print from glass negative
Cleared · Public Domain
live![[View From Music Court to South Transept; View in Tropical Department; View of the Egyptian Court; View of North Transept] by Philip Henry Delamotte, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP322150.jpg)
[View From Music Court to South Transept; View in Tropical Department; View of the Egyptian Court; View of North Transept]
Philip Henry Delamotte (d. 1889)
ca. 1859 · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
King Tirumala Nayaka in Procession
Unrecorded maker
1640–50 · Cotton, hand-painted mordant-dyed and resist-dyed (kalamkari)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
XII Views in Aquatinta From Drawings Taken on the Spot in South Wales
Paul Sandby (d. 1809)
1775 · Etching and aquatint; third state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Transept from the South Gallery, from "Recollections of the Great Exhibition, 1851"
John Absolon (d. 1895)
1851 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Koto (箏)
Unrecorded maker
19th century · Wood, mother of pearl, metal, ivory, lacquer
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Saravatī Vīnā
Unrecorded maker
19th century · Wood, ivory, metal, gourd
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Old Justiciary Court House, Glasgow
Sir Muirhead Bone (d. 1953)
1911 · Drypoint and etching; seventh (final) state
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.