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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    293 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    400 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 3,764 matching records exist across the two collections.

Results for "[View from a Port of a Pond and Hillside"12 records

Institutions answered newest-first by record, interleaved

Capriccio View of a Mediterranean Port by Bonaventura Peeters I, The Metropolitan Museum of Art

Capriccio View of a Mediterranean Port

Bonaventura Peeters I (d. 1652)

17th century · Graphite, pen and brown ink, brush and gray ink

Cleared · Public Domain

live
The MetSimilar
Entrance to a Dutch Port by Willem van de Velde II, The Metropolitan Museum of Art

Entrance to a Dutch Port

Willem van de Velde II (d. 1707)

ca. 1665 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Il Gobbo dei Carracci by Arthur Pond, The Metropolitan Museum of Art

Il Gobbo dei Carracci

Arthur Pond (d. 1758)

1736 · Etching and aquatint, brown ink

Cleared · Public Domain

live
The MetSimilar
A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c, by Arthur Pond, The Metropolitan Museum of Art

A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,

Arthur Pond (d. 1758)

1732–69 · Engraving, etching, woodcut

Cleared · Public Domain

live
The MetSimilar
VIEW FROM / PORT PUTNAM. / HUDSON. RIVER. by William Ridgway & Co., The Metropolitan Museum of Art

VIEW FROM / PORT PUTNAM. / HUDSON. RIVER.

William Ridgway & Co. (d. 1854)

ca. 1840–ca. 1854 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar
Clarinet in C by Firth, Hall & Pond, The Metropolitan Museum of Art

Clarinet in C

Firth, Hall & Pond

ca. 1833–45 · Wood, ivory, brass

Cleared · Public Domain

live
The MetSimilar
Trees Beside a Pond by Louis-Antoine-Léon Riesener, The Metropolitan Museum of Art

Trees Beside a Pond

Louis-Antoine-Léon Riesener (d. 1878)

1853–78 · Watercolor over graphite

Cleared · Public Domain

live
The MetSimilar
Souvenir spoon with a view of a town with hillside and lake beyond and arms of Switzerland by an unrecorded maker, The Metropolitan Museum of Art

Souvenir spoon with a view of a town with hillside and lake beyond and arms of Switzerland

Unrecorded maker

late 19th century · Gilt and enamel

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Female figure seated, turned to the right with legs crossed, reading a book on a high desk (from "Soixante et dix estampes qui imitent les desseins...publié par Jean Boydell, Graveur" / "Prints in Imitation of Drawings")

Arthur Pond (d. 1758)

[first published 1730s] reissued second half 18th century · Etching and woodcut from three blocks in blue and brown ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[View from a Port of a Pond and Hillside, Japan]

Adolf de Meyer (d. 1946)

1900 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[View from Hillside Through Trees Towards a Valley]

Adolf de Meyer (d. 1946)

1900 · Carbon print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View from a Balcony

Albert Marquet (d. 1947)

1945 · Oil on canvas

In copyright

live
The MetSimilar

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