![[Rooftops, Paris] by Armand-Hippolyte-Louis Fizeau, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP-18191-043.jpg)
[Rooftops, Paris]
Armand-Hippolyte-Louis Fizeau (d. 1896)
August 22,1843 · Daguerreotype
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
495 ms. The Metropolitan Museum of Art, Collection API (Open Access)
436 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 8,461 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
![[Rooftops, Paris] by Armand-Hippolyte-Louis Fizeau, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP-18191-043.jpg)
[Rooftops, Paris]
Armand-Hippolyte-Louis Fizeau (d. 1896)
August 22,1843 · Daguerreotype
Cleared · Public Domain
live
View from My Window in Rome (recto)
Carl Ludwig Tischbein (d. 1855)
c. 1819 · Drawing, graphite and pen and gray ink, framing lines in pen and black ink and graphite
Cleared · CC0
live![[View of the rooftops and cathedral of Vienna] by Alois Auer, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP112649.jpg)
[View of the rooftops and cathedral of Vienna]
Alois Auer (d. 1869)
ca. 1853 · Albumen silver print
Cleared · Public Domain
live
View from My Window in Rome (recto) Soldier in a Landscape (verso)
Carl Ludwig Tischbein (d. 1855)
c. 1817 · Drawing, graphite and pen and gray ink, framing lines in pen and black ink and graphite
Cleared · CC0
live
Rooftops, Brooklyn
Fidelia Bridges (d. 1923)
ca. 1867 · Watercolor and gouache on tan hot-pressed wove paper
Cleared · Public Domain
live
Sky Study, Paris
Charles Marville (d. 1879)
1856–57 · Photograph, albumen print from wet collodion negative
Cleared · CC0
live
View of Saint-Valéry-sur-Somme
Edgar Degas (d. 1917)
1896–98 · Oil on canvas
Cleared · Public Domain
live![[View of Rooftops] by Morton Schamberg, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP105550.jpg)
[View of Rooftops]
Morton Schamberg (d. 1918)
1917 · Gelatin silver print
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Stirling Town
Sir David Young Cameron (d. 1945)
1891 · Etching; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Veteran
Sir David Young Cameron (d. 1945)
1891 · Etching; first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Brooklyn Bridge and Manhattan
Joseph Pennell (d. 1926)
1910 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Aeroplane Synchromy in Yellow-Orange
Stanton Macdonald-Wright (d. 1973)
1920 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.