
View of a Church
Antoine Benoist (d. 1770)
1736–70 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
262 ms. The Metropolitan Museum of Art, Collection API (Open Access)
504 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 15,118 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

View of a Church
Antoine Benoist (d. 1770)
1736–70 · Engraving
Cleared · Public Domain
live
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (d. 1678)
c. 1645–47 · Drawing, Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge)
Cleared · CC0
live
Lucerne
James Knight
1853–56 · Salted paper print
Cleared · Public Domain
live
Diptych with Twelve Apostles & St. Paul
Workshop or Circle of Wäldä Maryam
c. 1700 · Painting, Tempera, wood, textile
Cleared · CC0
live![[View of a Church and Grounds] by Unknown, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP147394.jpg)
[View of a Church and Grounds]
Unknown
1850s · Albumen silver print
Cleared · Public Domain
live
Christ, St. Paul, and the Twelve Apostles
Hendrick Goltzius (d. 1617)
c. 1578 · Print, Thirteen engravings
Cleared · CC0
live![[View of Bungalow and Grounds] by Unknown, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP147392.jpg)
[View of Bungalow and Grounds]
Unknown
1850s · Albumen silver print
Cleared · Public Domain
live
Roundel from a Curtain
Unrecorded maker
300s CE · Textile, plain weave ground with tapestry weave and supplementary weft wrapping; undyed linen and dyed wool
Cleared · CC0
live
Heart of the Andes
Frederic Edwin Church (d. 1900)
1859 · Oil on canvas
Cleared · Public Domain
live![Initial D[eus in loco] with a Prophet Excised from a Gradual by Lorenzo Monaco, The Cleveland Museum of Art](https://openaccess-cdn.clevelandart.org/1949.536/1949.536_web.jpg)
Initial D[eus in loco] with a Prophet Excised from a Gradual
Lorenzo Monaco (d. 1425)
1409–10 · Manuscript, ink, tempera, and gold on vellum
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A View of St. Paul's Church, New York
John Scoles (d. 1860)
1795 · Engraving
In copyright
live
Leaf from a Psalter with Historiated Initial (B): King David
Unrecorded maker
c. 1450 · Manuscript, ink, tempera, and gold on parchment
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.