
Earflare with ritual procession
Chimú artist(s)
1350–1470 CE · Gold
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
412 ms. The Metropolitan Museum of Art, Collection API (Open Access)
379 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 14 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Earflare with ritual procession
Chimú artist(s)
1350–1470 CE · Gold
Cleared · Public Domain
live
Earflare with ritual procession
Chimú artist(s)
1350–1470 CE · Gold
Cleared · Public Domain
live
Pair of Earflares with Multifigure Scenes
Unrecorded maker
12th–15th century · Gold
Cleared · Public Domain
live![The City of New York, in the State of New York, North America [The Birch View with the Picnic Party] by Samuel Seymour, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP-19735-001.jpg)
The City of New York, in the State of New York, North America [The Birch View with the Picnic Party]
Samuel Seymour (d. 1850)
[1803] reissued ca. 1820 · Hand-colored engraving and etching; third state of three
Cleared · Public Domain
live![[William H. Macdowell and Margaret Eakins in Saltville (or Clinch Mountain), Virginia] by Thomas Eakins, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DT11869.jpg)
[William H. Macdowell and Margaret Eakins in Saltville (or Clinch Mountain), Virginia]
Thomas Eakins (d. 1916)
1880–82 · Platinum print
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Etcher's Folio: A Publication Devoted to the Interest of American Etchers, and the Promotion of American Art, Parts 1-12
Janentzky & Co. (d. 1950)
1884 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Eakins' Father-in-law]
Thomas Eakins (d. 1916)
1880s · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mrs. William H. Macdowell
Thomas Eakins (d. 1916)
1880s · Platinum print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
William H. MacDowell
Thomas Eakins (d. 1916)
1880s · Platinum print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
William H. MacDowell
Thomas Eakins (d. 1916)
1880s · Albumen silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The North Dutch Church, Fulton and William Streets, New York
Margaret M. Taylor Fox (d. 1941)
1890 · Etching with remarque
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Pedestrians on Street in Smog, Pittsburgh, Pennsylvania]
William Vandivert (d. 1992)
1947 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.