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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    369 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    340 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 464 matching records exist across the two collections.

Results for "[Woman, Nude from Waist Up, Seated in Fr"12 records

Institutions answered newest-first by record, interleaved

Terracotta fragment of a kylix (drinking cup) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a kylix (drinking cup)

Unrecorded maker

late sixth century BCE/early 5th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Kneeling female figure by Lagunillas artist(s), The Metropolitan Museum of Art

Kneeling female figure

Lagunillas artist(s)

200 BCE–200 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Seated male figure by Lagunillas artist(s), The Metropolitan Museum of Art

Seated male figure

Lagunillas artist(s)

200 BCE–200 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Seated female figure by Nayarit artist(s), The Metropolitan Museum of Art

Seated female figure

Nayarit artist(s)

100–400 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Seated male figure by Nayarit artist(s), The Metropolitan Museum of Art

Seated male figure

Nayarit artist(s)

100–400 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Two Costume Designs or Portrait Types by Anonymous, French, 18th century, The Metropolitan Museum of Art

Two Costume Designs or Portrait Types

Anonymous, French, 18th century (d. 1800)

ca. 1785–90 · Pen and black ink, graphite, gouache

Cleared · Public Domain

live
The MetSimilar
Two Costume Designs or Portrait Types by Anonymous, French, 18th century, The Metropolitan Museum of Art

Two Costume Designs or Portrait Types

Anonymous, French, 18th century (d. 1800)

ca. 1785–90 · Pen and black ink, graphite, gouache

Cleared · Public Domain

live
The MetSimilar
The Captive, from "Illustrated London News" by H. Harrison, The Metropolitan Museum of Art

The Captive, from "Illustrated London News"

H. Harrison (d. 1848)

April 15, 1848 · Wood engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing prints clipped from American and British periodicals

Illman and Sons (d. 1900)

1815–60 · Hand-colored etching, engraving, lithograph, mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873

Dalziel Brothers (d. 1893)

1860–73 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Blonde Woman at her Toilette

Paul-Albert Besnard (d. 1934)

1909 · Etching; single state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Woman, Nude from Waist Up, Seated in Front of Painted Backdrop]

James Van Der Zee (d. 1983)

1920s–40s · Gelatin silver print with applied color

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.