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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    205 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    923 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 173 matching records exist across the two collections.

Results for "[X-Ray]"12 records

Institutions answered newest-first by record, interleaved

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Aesculap-Schlange

Josef Maria Eder (d. 1944)

1896 · Photogravure

In copyright

live
The MetSimilar
Relic of St. Gertrude by an unrecorded maker, The Cleveland Museum of Art

Relic of St. Gertrude

Unrecorded maker

c. 1045 · Metalwork, Plain weave variant rose colored silk with an extant selvage

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Chamäleon cristatus

Josef Maria Eder (d. 1944)

1896 · Photogravure

In copyright

live
The MetSimilar
Paint Box of Vizier Amenemope by an unrecorded maker, The Cleveland Museum of Art

Paint Box of Vizier Amenemope

Unrecorded maker

c. 1427–1401 BCE · Tools and Equipment, boxwood with inscription inlaid in Egyptian blue

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Frauenhand

Josef Maria Eder (d. 1944)

1896 · Photogravure

In copyright

live
The MetSimilar
Male Figure (nkishi) by an unrecorded maker, The Cleveland Museum of Art

Male Figure (nkishi)

Unrecorded maker

late 1800s–early 1900s · Sculpture, Wood, glass beads, brass (including upholstery studs), copper alloy, iron alloy, raffia, reedbuck antelope horn, rawhide, animal hair, human teeth, organic material, minerals, and plant fibers

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Grüne Eidechse

Josef Maria Eder (d. 1944)

1896 · Photogravure

In copyright

live
The MetSimilar
Reading by Berthe Morisot, The Cleveland Museum of Art

Reading

Berthe Morisot (d. 1895)

1873 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ratte

Josef Maria Eder (d. 1944)

1896 · Photogravure

In copyright

live
The MetSimilar
Relic Bundle with Saints Stephen, Sophie, Perpetua, Paul, Barnaba, Philip, Simon, Thaddeus, John the Apostle, and James by an unrecorded maker, The Cleveland Museum of Art

Relic Bundle with Saints Stephen, Sophie, Perpetua, Paul, Barnaba, Philip, Simon, Thaddeus, John the Apostle, and James

Unrecorded maker

c. 1045 · Metalwork, Compound weave or samite

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

X-Ray of Samples of Various Materials

Josef Maria Eder (d. 1944)

1896 · Photogravure

In copyright

live
The MetSimilar
Casket by an unrecorded maker, The Cleveland Museum of Art

Casket

Unrecorded maker

1100–1150? · Enamel, gilded copper, champlevé enamel, wood core (modern)

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.