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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    431 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    304 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 8 matching records exist across the two collections.

Results for "Ça c'est le chéri à sa chérite, from Les"8 records

Institutions answered newest-first by record, interleaved

Engraving Depicting the Interior of a Gunmaker’s Workshop, from the Pattern Book <i>Plusieurs Models des plus nouuelles manières qui sont en usage en l'Art d'Arquebuzerie auec les Ornements les plus Conuenables: le tout tiré des Ouurages de Thuraine et le Hollandois Arquebuziers Ordinaires de Sa Maiesté et graué</i> by Thuraine (French, Paris, active mid-17th century) and Adrien Reynier, called Le Hollandois (French, born ca. 1630) by C. Jacquinet, The Metropolitan Museum of Art

Engraving Depicting the Interior of a Gunmaker’s Workshop, from the Pattern Book <i>Plusieurs Models des plus nouuelles manières qui sont en usage en l'Art d'Arquebuzerie auec les Ornements les plus Conuenables: le tout tiré des Ouurages de Thuraine et le Hollandois Arquebuziers Ordinaires de Sa Maiesté et graué</i> by Thuraine (French, Paris, active mid-17th century) and Adrien Reynier, called Le Hollandois (French, born ca. 1630)

C. Jacquinet (d. 1675)

ca. 1650–60 · Ink, paper

Cleared · Public Domain

live
The MetSimilar
Wall clock (pendule en cartel) by Jean Godde l'aîné, The Metropolitan Museum of Art

Wall clock (pendule en cartel)

Jean Godde l'aîné (d. 1749)

ca. 1740–45 · Case: gilded bronze, oak, and tortoiseshell on brass marquetry on oak; Dial: white enamel and gilded brass with blued-steel hands; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
View of Messina Harbor by Louis François Cassas, The Metropolitan Museum of Art

View of Messina Harbor

Louis François Cassas (d. 1827)

1783 · Pen and black and brown ink, brush and brown and gray wash, over traces of black chalk; framing lines in pen and black ink

Cleared · Public Domain

live
The MetSimilar
A Country House Near Paris: --Well, my dear... it's a good thing we had the idea to plant a house. Without it, we wouldn't have had shade all summer! from The Pleasures of a Country Holiday, published in Le Charivari by Honoré Daumier, The Metropolitan Museum of Art

A Country House Near Paris: --Well, my dear... it's a good thing we had the idea to plant a house. Without it, we wouldn't have had shade all summer! from The Pleasures of a Country Holiday, published in Le Charivari

Honoré Daumier (d. 1879)

May 24, 1858 · Lithograph on newsprint; second state of two (Delteil)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Les lorettes, moi j'aime çà; c'est gentil comme tout, ça ne fait de mal à personne!, from Les Lorettes, published in Le Charivari, published July 23, 1843, plate 63

Paul Gavarni [Chevalier] (d. 1866)

July 23, 1843 · Lithograph; second state of three (Armelhault & Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ça c'est le chéri à sa chérite, from Les Partageuses, Masques et Visages, plate 21, bound in Oeuvres Nouvelles, vol. I

Paul Gavarni [Chevalier] (d. 1866)

1853 · Lithograph; second state of two (Armelhault & Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Countess Brushes Her Hair (Esmérée) or Dancing Music (Esmérée)

Emile Bernard (d. 1941)

1892 · Zincograph printed in sepia

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Countess Combing Her Hair (Esmérée) or Dancing Music (Esmérée)

Emile Bernard (d. 1941)

1892 · Zincograph printed in sepia

In copyright

live
The MetSimilar

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