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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    331 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    459 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 182 matching records exist across the two collections.

Results for "“Act II, Scene 5: At the Opera in Paris,"12 records

Institutions answered newest-first by record, interleaved

Ophelia (Shakespeare, Hamlet, Act 4, Scene 5) by Caroline Watson, The Metropolitan Museum of Art

Ophelia (Shakespeare, Hamlet, Act 4, Scene 5)

Caroline Watson (d. 1814)

1784 · Stipple engraving; printed in brown ink

Cleared · Public Domain

live
The MetSimilar
Romeo and Juliet at the Masquerade (Shakespeare, Romeo and Juliet, Act 1, Scene 5) by Francesco Bartolozzi, The Metropolitan Museum of Art

Romeo and Juliet at the Masquerade (Shakespeare, Romeo and Juliet, Act 1, Scene 5)

Francesco Bartolozzi (d. 1815)

June 15, 1785 · Stipple engraving, and etching, printed in brown ink

Cleared · Public Domain

live
The MetSimilar
Falstaff with Mrs. Ford and Mrs. Page (Shakespeare, The Merry Wives of Windsor, Act 5, Scene 5) by Henry Fuseli, The Metropolitan Museum of Art

Falstaff with Mrs. Ford and Mrs. Page (Shakespeare, The Merry Wives of Windsor, Act 5, Scene 5)

Henry Fuseli (d. 1825)

1790 · Pen and brown ink over faint graphite

Cleared · Public Domain

live
The MetSimilar
Falstaff at Justice Shallow's Mustering His Recruits (Shakespeare, Henry IV, Part II, Act 3, Scene 2) by William Nelson Gardiner, The Metropolitan Museum of Art

Falstaff at Justice Shallow's Mustering His Recruits (Shakespeare, Henry IV, Part II, Act 3, Scene 2)

William Nelson Gardiner (d. 1814)

June 1, 1792 · Stipple engraving and etching

Cleared · Public Domain

live
The MetSimilar
Falstaff at Herne's Oak (Shakespeare, Merry Wives of Windsor, Act 5, Scene 5) by Michele Beneditti, The Metropolitan Museum of Art

Falstaff at Herne's Oak (Shakespeare, Merry Wives of Windsor, Act 5, Scene 5)

Michele Beneditti (d. 1810)

May 30, 1793 · Stipple engraving and etching

Cleared · Public Domain

live
The MetSimilar
Fluellen Making Pistol Eat the Leek (Shakespeare, Henry V, Act 5, Scene 1) by Robert Mitchell Meadows, The Metropolitan Museum of Art

Fluellen Making Pistol Eat the Leek (Shakespeare, Henry V, Act 5, Scene 1)

Robert Mitchell Meadows (d. 1812)

August 1, 1795 · Stipple engraving and etching

Cleared · Public Domain

live
The MetSimilar
“Act II, Scene 5: At the Opera in Paris,” from the series The Strange Tale of the Castaways: A Western Kabuki by Adachi Ginkō, The Metropolitan Museum of Art

“Act II, Scene 5: At the Opera in Paris,” from the series The Strange Tale of the Castaways: A Western Kabuki

Adachi Ginkō (d. 1902)

1879 · Woodblock print (nishiki-e); ink and color on paper; vertical ōban

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Combat in Macbeth (Shakespeare, Macbeth, Act 5, Scene 8)

George Cruikshank (d. 1878)

1818–19 · Etching with touches of stipple, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for the Opera: The Magic Flute, Act II, Scene I

Karl Friedrich Thiele (d. 1836)

1847–49 · Aquatint printed in color and hand colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for the Opera: The Magic Flute, Act II, Scene VII

Karl Friedrich Thiele (d. 1836)

1847–49 · Aquatint printed in color and hand colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for the Opera: The Magic Flute, Act II, Scene XX

Karl Friedrich Thiele (d. 1836)

1847–49 · Aquatint printed in color and hand colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for the Opera: The Magic Flute, Act II, Scene XXVIII

Karl Friedrich Thiele (d. 1836)

1847–49 · Aquatint printed in color and hand colored

In copyright

live
The MetSimilar

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