
Triumfa España en las Americas (The Triumph of Spain in the Americas)
Unrecorded maker
late 18th century · Cotton, block printed
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
980 ms. The Metropolitan Museum of Art, Collection API (Open Access)
313 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,278 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Triumfa España en las Americas (The Triumph of Spain in the Americas)
Unrecorded maker
late 18th century · Cotton, block printed
Cleared · Public Domain
live
Hayne Hudjihini, Eagle of Delight
Henry Inman (d. 1846)
1832–33 · Oil on canvas
Cleared · Public Domain
live
“America”: A Native American Woman on Horseback in the Snow
Utagawa Hiroshige II (d. 1869)
1860 · Woodblock print (nishiki-e); ink and color on paper; vertical ōban
Cleared · Public Domain
live
Native American and Equestrian Studies (from Sketchbook)
John Quincy Adams Ward (d. 1910)
ca. 1860 · Graphite on paper
Cleared · Public Domain
live
A Welsh Woman
Sir Hubert von Herkomer (d. 1914)
1878 · Etching and drypoint on simulated vellum
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman on a Bench
Mary Cassatt (d. 1926)
ca. 1881 · Pastel on green wove paper, mounted on illustration board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Darktown Tally Ho--Straightened Out
Thomas B. Worth (d. 1917)
1889 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Darktown Tally Ho--Tangled Up
Thomas B. Worth (d. 1917)
1889 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman on a Beach
Albertus H. Baldwin (d. 1935)
1935 · Watercolor, graphite, and gum arabic on white wove paper.
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman on Stairs
Mary Sully (d. 1963)
ca. 1920s–40s · Colored pencil, black ink, gilt, white paint, pastel crayon, on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.