Terracotta vase in the form of a Black African youth's head
Negro Boy Group
4th century BCE · Terracotta
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
462 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
390 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,041 matching records exist across the two collections.
Results for ". . . In the Fields, from “The Negro Wom"12 records
Institutions answered newest-first by record, interleaved
Child standing in boxing stance, from the "Negro Subjects" series (N692) promoting Old Fashion Fine Cut Tobacco
Unrecorded maker
ca. 1888 · Albumen photograph
Cleared · Public Domain
liveThe MetSimilar
St. Giles-in-the-Fields
James McNeill Whistler (d. 1903)
1896 · Transfer lithograph with stumping; only state (Chicago); printed in black ink on cream laid paper removed from an old ledger
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Negro Song I
Francis Picabia (d. 1953)
1913 · Watercolor and graphite on paperboard
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Negro Song II
Francis Picabia (d. 1953)
1913 · Watercolor and graphite on illustration board
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Return from the Fields
Percy Frederick Albee (d. 1959)
1930–31 · Drypoint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Exhibition of work by Negro artists
Harmon Foundation
1933
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Return from the Fields
Percy Frederick Albee (d. 1959)
1930–31 · Drypoint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
. . . In Other Folks’ Homes, from “The Negro Woman” series
Elizabeth Catlett (d. 2012)
1946 · Linocut
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
I Have Always Worked Hard in America . . ., from “The Negro Woman” series
Elizabeth Catlett (d. 2012)
1946 · Linocut
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
. . . In the Fields, from “The Negro Woman” series
Elizabeth Catlett (d. 2012)
1947 · Linocut
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
My Role Has Been Important in the Struggle to Organize the Unorganized, from “The Negro Woman” series
Elizabeth Catlett (d. 2012)
1947 · Linocut
In copyright
liveThe MetSimilar
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