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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    251 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    326 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 57 matching records exist across the two collections.

Results for "14. The Bride Ready for the Ceremony"12 records

Institutions answered newest-first by record, interleaved

"Opening of the Mouth"  vessel of Perneb by an unrecorded maker, The Metropolitan Museum of Art

"Opening of the Mouth" vessel of Perneb

Unrecorded maker

ca. 2381–2323 BCE · Dark stone

Cleared · Public Domain

live
The MetSimilar
"Opening of the Mouth"  vessel of Perneb by an unrecorded maker, The Metropolitan Museum of Art

"Opening of the Mouth" vessel of Perneb

Unrecorded maker

ca. 2381–2323 BCE · Dark stone

Cleared · Public Domain

live
The MetSimilar
"Opening of the Mouth" vessel of Perneb by an unrecorded maker, The Metropolitan Museum of Art

"Opening of the Mouth" vessel of Perneb

Unrecorded maker

ca. 2381–2323 BCE · Dark stone

Cleared · Public Domain

live
The MetSimilar
Aristanemi's Bridal Pavilion (top) and Witnessing Animals for Slaughter (bottom): Folio from a Kalpasutra Manuscript by an unrecorded maker, The Metropolitan Museum of Art

Aristanemi's Bridal Pavilion (top) and Witnessing Animals for Slaughter (bottom): Folio from a Kalpasutra Manuscript

Unrecorded maker

15th century · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Armor for Field and Tilt by an unrecorded maker, The Metropolitan Museum of Art

Armor for Field and Tilt

Unrecorded maker

ca. 1550–75 · Steel

Cleared · Public Domain

live
The MetSimilar
Armor for Field and Tilt by an unrecorded maker, The Metropolitan Museum of Art

Armor for Field and Tilt

Unrecorded maker

ca. 1550–75 · Steel

Cleared · Public Domain

live
The MetSimilar
Wedding medallion by an unrecorded maker, The Metropolitan Museum of Art

Wedding medallion

Unrecorded maker

17th century · Silver, parcel-gilt

Cleared · Public Domain

live
The MetSimilar
Redemption of the First-Born Ceremony plate by an unrecorded maker, The Metropolitan Museum of Art

Redemption of the First-Born Ceremony plate

Unrecorded maker

dated 1767 · Pewter

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Entrance into Toulouse, July 12, 1814 and the Dukedom of Wellington Conferred

Thomas Stothard (d. 1834)

September 1, 1820 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

14. The Bride Ready for the Ceremony

Unknown

1860s–80s · Photomechanical print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

13. The Bridesmaid Ready for the Ceremony

H. C. White Company

1905 · Photomechanical print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Kokorra (ceremonial paddle)

Buka Island artist

late 19th–early 20th century · Wood, paint

In copyright

live
The MetSimilar

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