
Copies after the 'Livre contenant passement de moresques' (plate 15)
Jacques Androuet Du Cerceau (d. 1585)
19th century (?) · Etching (?)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
377 ms. The Metropolitan Museum of Art, Collection API (Open Access)
630 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 134 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Copies after the 'Livre contenant passement de moresques' (plate 15)
Jacques Androuet Du Cerceau (d. 1585)
19th century (?) · Etching (?)
Cleared · Public Domain
live
Improvisations sur cuivre
Nicolas-François Chifflart (d. 1901)
1865 · Portfolio, 15 etchings
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
An apostle with four youths, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni (d. 1660)
1642 · Etching
In copyright
live
Twelve Etchings from Nature: En Plein Soleil
James McNeill Whistler (d. 1903)
1858 · Print, etching on chine collé
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bishop Saint Bernard with six youths, one holding his crozier, in a cupola with cockle shells and festoons of fruit above, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni (d. 1660)
1642 · Etching
In copyright
live
Suite of Vases: Plate 15
Jacques François Saly (d. 1776)
1746 · Print, etching
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bishop Saint Hilary surrounded by four youths, one at right holding an open book, in a cupola with cockle shells and festoons of fruit above, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni (d. 1660)
1642 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The central group of the Assumption of the Virgin, Mary in the clouds with arms outstretched at right, musical angels throughout, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni (d. 1660)
1642 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The group to the left of the Assumption with musical angels, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni (d. 1660)
1642 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The group to the right of the Assumption, with Eve and other saints accompanied by putti and angels, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni (d. 1660)
1642 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Composition with stucco ornaments and a medallion with youths shooting a bird, plate 15 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi (d. 1682)
ca. 1661 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Election and Coronation of Ferdinand IV, Rome, September 15-17, 1653: Triumph of Glory, Immortality, and Fame
Carlo Rainaldi (d. 1691)
1691 · Etchings
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.