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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    258 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    380 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 30 matching records exist across the two collections.

Results for "291, No. 3, May 1915"12 records

Institutions answered newest-first by record, interleaved

Magic knife fragments by an unrecorded maker, The Metropolitan Museum of Art

Magic knife fragments

Unrecorded maker

ca. 1750–1640 B.C. · Ivory

Cleared · Public Domain

live
The MetSimilar
Crocodile-head figure pendant by Chiriquí artist(s), The Metropolitan Museum of Art

Crocodile-head figure pendant

Chiriquí artist(s)

700–1550 CE · Gold (cast alloy), pyrite inlay, hematite

Cleared · Public Domain

live
The MetSimilar
Watch by Nicolaus Rugendas the Younger, The Metropolitan Museum of Art

Watch

Nicolaus Rugendas the Younger (d. 1695)

ca. 1670 · Case and dial: painted and raised enamel on gold, set with gemstones (rubies), with a single hand; Movement: gilded brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Male term figure by Annibale Fontana, The Metropolitan Museum of Art

Male term figure

Annibale Fontana (d. 1587)

late 17th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Shoulao by Chantilly, The Metropolitan Museum of Art

Shoulao

Chantilly

ca. 1735–40 · Tin-glazed soft-paste porcelain decorataed in polychrome enamels

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pennsylvania Magazine or American Monthly Museum

Robert Aitken (d. 1802)

1775 · Illustrations: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 5

Rudolph Ackermann, London (d. 1832)

January–June 1811 · Illustrations: etching, hand-coloring, woodcut and fabric samples

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Still Life with Bottle and a Pot of Hyacinths

Pablo Picasso (d. 1973)

1909 · Pastel on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Alfred Stieglitz, L'accoucheur d'idées (The Midwife to Ideas)

Marius de Zayas (d. 1961)

ca. 1908–9 · Charcoal and graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

291, No. 3, May 1915

Abraham Walkowitz (d. 1965)

1915

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Marsden Hartley

Alfred Stieglitz (d. 1946)

1916 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Katharine N. Rhoades

Marius de Zayas (d. 1961)

ca. 1915 · Charcoal and graphite on paper, mounted on paperboard

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.