
Cupid holding a candle socket
Unrecorded maker
early 16th century · Bronze, traces of brown lacquer patina; later marble base
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1469 ms. The Metropolitan Museum of Art, Collection API (Open Access)
385 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 14 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Cupid holding a candle socket
Unrecorded maker
early 16th century · Bronze, traces of brown lacquer patina; later marble base
Cleared · Public Domain
live
Young St. John the Baptist
Antonio Lombardo (d. 1516)
early 16th century · Bronze
Cleared · Public Domain
live
Cupid bearing a quiver and a candle socket
Unrecorded maker
mid-16th century · Bronze
Cleared · Public Domain
live
Armchair (part of a set)
Nicolas-Quinibert Foliot (d. 1776)
ca. 1754–56 · Carved and gilded beech; wool and silk tapestry
Cleared · Public Domain
live
Armchair (part of a set)
Nicolas-Quinibert Foliot (d. 1776)
ca. 1754–56 · Carved and gilded beech; wool and silk tapestry
Cleared · Public Domain
live
Pennsylvania Magazine or American Monthly Museum
Robert Aitken (d. 1802)
January–December 1775 · Illustrations: engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pennsylvania Magazine or American Monthly Museum
Robert Aitken (d. 1802)
1775 · Illustrations: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 5
Rudolph Ackermann, London (d. 1832)
January–June 1811 · Illustrations: etching, hand-coloring, woodcut and fabric samples
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873
Dalziel Brothers (d. 1893)
1860–73 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
291, No. 4, June 1915
Agnes Ernst Meyer (d. 1970)
1915
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
291, No. 4, June 1915
Agnes Ernst Meyer (d. 1970)
1915
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Katharine N. Rhoades
Marius de Zayas (d. 1961)
ca. 1915 · Charcoal and graphite on paper, mounted on paperboard
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.