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Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    410 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    321 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 11 matching records exist across the two collections.

Results for "2e Combat Naval (Second Naval Battle), f"11 records

Institutions answered newest-first by record, interleaved

1er Combat Naval (First Naval Battle), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles) by Jacques Callot, The Metropolitan Museum of Art

1er Combat Naval (First Naval Battle), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles)

Jacques Callot (d. 1635)

1614–20 · Engraving; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
2e Combat Naval (Second Naval Battle), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles) by Jacques Callot, The Metropolitan Museum of Art

2e Combat Naval (Second Naval Battle), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles)

Jacques Callot (d. 1635)

1614–20 · Etching; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
Le Combat Naval (The Naval Battle), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes) by Jacques Callot, The Metropolitan Museum of Art

Le Combat Naval (The Naval Battle), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes)

Jacques Callot (d. 1635)

ca. 1618 · Etching; second state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
Le Combat Naval (The Naval Battle), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes) by Jacques Callot, The Metropolitan Museum of Art

Le Combat Naval (The Naval Battle), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes)

Jacques Callot (d. 1635)

ca. 1618 · Etching; second state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
South West View of the City of New York in North America by Pierre Charles Canot, The Metropolitan Museum of Art

South West View of the City of New York in North America

Pierre Charles Canot (d. 1777)

late 18th century · Etching

Cleared · Public Domain

live
The MetSimilar
United States and Macedonian by an unrecorded maker, The Metropolitan Museum of Art

United States and Macedonian

Unrecorded maker

1812–30 · Oil on glass

Cleared · Public Domain

live
The MetSimilar
Terrific Engagement between the "Monitor" 2 guns, and "Merrimac" 10 guns, in Hampton Roads, March 9th, 1862 – The First Fight Between Ironclad Ships of War by Frances Flora Bond Palmer, The Metropolitan Museum of Art

Terrific Engagement between the "Monitor" 2 guns, and "Merrimac" 10 guns, in Hampton Roads, March 9th, 1862 – The First Fight Between Ironclad Ships of War

Frances Flora Bond Palmer (d. 1876)

1862 · Hand-colored lithograph

Cleared · Public Domain

live
The MetSimilar
Vice Admiral Kabayama Advancing Bravely and Heartily by Mizuno Toshikata, The Metropolitan Museum of Art

Vice Admiral Kabayama Advancing Bravely and Heartily

Mizuno Toshikata (d. 1908)

December 1894 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

1er Combat Naval (First Naval Battle), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles)

Jacques Callot (d. 1635)

1614–20 · Engraving; second state of two (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

2e Combat Naval (Second Naval Battle), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles)

Jacques Callot (d. 1635)

1614–20 · Etching; second state of two (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

2e Combat Naval (Second Naval Battle), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles)

Jacques Callot (d. 1635)

1614–20 · Etching

In copyright

live
The MetSimilar

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