Architectual (?) Sketches (from Sketchbook)
James McNeill Whistler (d. 1903)
1854–55 · Graphite on off-white wove paper
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
351 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
377 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 92,272 matching records exist across the two collections.
Results for "A, from "Sketches""12 records
Institutions answered newest-first by record, interleaved
Sheet of Studies and Sketches
Edgar Degas (d. 1917)
1858 · Drawing, graphite, pen and dark brown ink, and watercolor on thick ivory wove paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Four sketches (from Sketchbook)
James McNeill Whistler (d. 1903)
1854–55 · Brown ink, gouache and graphite on greenish-brown wove paper
Cleared · Public Domain
liveThe MetSimilar
Sketches of Virgin and Child
Giulio Campi (d. 1572)
1550–1600 · Drawing, black chalk; framing lines in traces of gold ink
Cleared · CC0
liveCleveland Museum of ArtSimilar
Proof from a block of sketches
Jean-François Millet (d. 1875)
1834–75 · Woodcut, laid down on card; second (final) state; posthumous impression
Cleared · Public Domain
liveThe MetSimilar
Sheet of Sketches (recto and verso)
Théodore Géricault (d. 1824)
1819 · Drawing, pen and brown ink on ivory laid paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sketches from a women's labour camp
Esther Lurie (d. 1998)
1962
In copyright
liveThe MetSimilar
Sheet of Sketches (recto)
Théodore Géricault (d. 1824)
1819 · Drawing, pen and ink
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A, from "Sketches"
Cy Twombly (d. 2011)
1967–75 · Etching
In copyright
liveThe MetSimilar
Three Sketches of Arches (verso)
Francesco Guardi (d. 1793)
1782 · Drawing, pen and brown ink
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
B, from "Sketches"
Cy Twombly (d. 2011)
1967–75 · Etching
In copyright
liveThe MetSimilar
Sheet of Sketches (verso)
Théodore Géricault (d. 1824)
1819 · Drawing, pen and ink
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.