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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    457 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    349 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 217 matching records exist across the two collections.

Results for "A "Marlborough Gem": Bust of a woman in"12 records

Institutions answered newest-first by record, interleaved

Terracotta relief bust of a woman by an unrecorded maker, The Metropolitan Museum of Art

Terracotta relief bust of a woman

Unrecorded maker

2nd half of the 5th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Marble bust of a woman by an unrecorded maker, The Metropolitan Museum of Art

Marble bust of a woman

Unrecorded maker

mid–3rd century CE · Marble

Cleared · Public Domain

live
The MetSimilar
Glass portrait bust of a woman by an unrecorded maker, The Metropolitan Museum of Art

Glass portrait bust of a woman

Unrecorded maker

1st–4th century CE · Glass

Cleared · Public Domain

live
The MetSimilar
Marble Portrait Bust of a Woman with a Scroll by an unrecorded maker, The Metropolitan Museum of Art

Marble Portrait Bust of a Woman with a Scroll

Unrecorded maker

late 4th–early 5th century · Pentelic Marble

Cleared · Public Domain

live
The MetSimilar
Antique bust of a woman by Wenceslaus Hollar, The Metropolitan Museum of Art

Antique bust of a woman

Wenceslaus Hollar (d. 1677)

1645 · Etching; first state of two

Cleared · Public Domain

live
The MetSimilar
Bust of a Roman by an unrecorded maker, The Metropolitan Museum of Art

Bust of a Roman

Unrecorded maker

probably 17th century · Cryptocrystalline quartz (probably chalcedony) and gold

Cleared · Public Domain

live
The MetSimilar
Bust of the Emperor Vespasian (Titus Flavius Vespasianus, 9–79) by an unrecorded maker, The Metropolitan Museum of Art

Bust of the Emperor Vespasian (Titus Flavius Vespasianus, 9–79)

Unrecorded maker

probably mid-18th century · Onyx, mounted in gold, with rubies, amethyst, and emerald, as a pendant

Cleared · Public Domain

live
The MetSimilar
Bust of a Woman by Jean Antoine Houdon, The Metropolitan Museum of Art

Bust of a Woman

Jean Antoine Houdon (d. 1828)

1794 or later · Terracotta and paint

Cleared · Public Domain

live
The MetSimilar
Bust of a Woman by Nicolas Cordier, The Metropolitan Museum of Art

Bust of a Woman

Nicolas Cordier (d. 1612)

Probably 18th century · Marble of different colors

Cleared · Public Domain

live
The MetSimilar
Bust of a young woman by Jean-Pierre Dantan, The Metropolitan Museum of Art

Bust of a young woman

Jean-Pierre Dantan (d. 1869)

1836 · Marble

Cleared · Public Domain

live
The MetSimilar
A "Marlborough Gem": Bust of a woman in profile, her back to the spectator by an unrecorded maker, The Metropolitan Museum of Art

A "Marlborough Gem": Bust of a woman in profile, her back to the spectator

Unrecorded maker

19th century · Onyx, glued to a dark brown sardonyx (?) ground, mounted in gold for display, with enamel, smaller cameos, and a pearl

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bust of a woman

Georges Tonnellier (d. 1937)

1894 · Sardonyx

In copyright

live
The MetSimilar

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