
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)
Leonardo da Vinci (d. 1519)
1496 · Pen and brown ink (recto and verso)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
218 ms. The Metropolitan Museum of Art, Collection API (Open Access)
281 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 18 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)
Leonardo da Vinci (d. 1519)
1496 · Pen and brown ink (recto and verso)
Cleared · Public Domain
live
A Blasted Tree (recto) Floorplan (verso)
Jasper F. Cropsey (d. 1900)
1851 · Drawing, pen and brown ink, brown wash and graphite, heightened with white
Cleared · CC0
live
Temptation of St. Anthony (recto); Fantastic Landscape (verso)
Jan Wellens de Cock (d. 1527)
ca. 1520 · Pen, or point of the brush, and gray ink, heightened with white gouache, on green prepared paper; verso: pen and brown ink
Cleared · Public Domain
live
Saint Sebastian (recto); sketches of a male head and a standing figure in a short cape; a copy of the figure on the recto (verso)
Sodoma (Giovanni Antonio Bazzi) (d. 1549)
early–mid-16th century · Pen and brown ink, brown wash, over black chalk (recto); pen and brown ink, black chalk (verso)
Cleared · Public Domain
live
Two Women Annointing the Wounds of Saint Sebastian (recto); Study of a Nude Male Figure (verso)
Giovanni Biliverti (d. 1644)
1585–1644 · Pen and brown ink, brush and brown wash, over black chalk (recto); red chalk (verso); squared in red chalk
Cleared · Public Domain
live
Study of a Palm Tree (recto); Mountain Landscape (verso)
Nicolas Poussin (d. 1665)
ca. 1635–40 · Pen and brown ink, over traces of black chalk (recto); pen and brown ink (verso)
Cleared · Public Domain
live
Witches' Sabbath (recto); Figures Gathered around a tree (verso)
Salvator Rosa (d. 1673)
1615–73 · Pen and brown ink, brush and brown wash (recto and verso); framing lines in black chalk
Cleared · Public Domain
live
Landscape with a Traveler Crossing a Bridge (recto); Sketches of a Gate, a Bridge, and a Town Hall (verso)
Anthonie Waterloo (d. 1690)
1629–90 · Black chalk, watercolor and gouache; framing lines in black ink (recto); black chalk (verso)
Cleared · Public Domain
live
Large Forest (recto); A tree-lined lane with figure (verso)
Johannes Leupenius (d. 1693)
17th century · Pen and brown ink, brush and brown wash, white heightening. Verso: pen, brown ink and brown wash over black chalk
Cleared · Public Domain
live
Study of Oak Trees (recto)
Carl Wilhelm Kolbe (d. 1835)
1800 · Black chalk
Cleared · Public Domain
live
Studies of a tree (recto and verso)
Paul Cézanne (d. 1906)
1887–90 · Graphite with green, blue and yellow washes (recto); graphite with green, blue and purple washes (verso)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Recto: Joshua Has the Five Kings Hung in a Tree; verso: The Five Kings Lie Dead at Joshua's Feet from Illustrations to the Old Testament
Sebald Beham (d. 1550)
1550 · Woodcut
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.