
The Stone Bridge
Wenceslaus Hollar (d. 1677)
1649 · Etching; second state of two
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
335 ms. The Metropolitan Museum of Art, Collection API (Open Access)
387 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 31,130 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Stone Bridge
Wenceslaus Hollar (d. 1677)
1649 · Etching; second state of two
Cleared · Public Domain
live
The Cottages at the Foot of a Mountain
Anthonie Waterloo (d. 1690)
17th century · Etching
Cleared · Public Domain
live
A Bridge on the Aar, at the Foot of the Grimsel, in the Canton of Berne
Caspar Wolf (d. 1783)
ca. 1775 · Watercolor and pencil; framing lines in black ink
Cleared · Public Domain
live
The Imado Bridge at the Foot of Mount Matsuchi
Utagawa Hiroshige (d. 1858)
early 19th century · Hanging scroll; ink and color on silk
Cleared · Public Domain
live
COLUMBIA BRIDGE. / ON THE / SUSQUEHANNA
William Ridgway & Co. (d. 1854)
ca. 1840–ca. 1854 · Earthenware, transfer-printed
Cleared · Public Domain
live
The Bridge
Albert Pinkham Ryder (d. 1917)
ca. 1880 · Oil on gilt leather
Cleared · Public Domain
live
The Forth Bridge
A. Duprez (d. 1950)
ca. 1890 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
An Appeal to the Public Touching the Death of Mr. George Clarke, Who Received a Blow at Brentford on Thursday the Eighth of December last, of which he languished and died on Wednesday the Fourteenth of the same Month
John Foot (d. 1769)
1769 · Text only: letter press
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Footed Vessel with the Handle of the Lid in the Form of a Man
John Bridge (d. 1834)
1780–1834 · Pen and ink on yellow tracing paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Footed Vessel with the Handle of the Lid in the Form of a Woman
John Bridge (d. 1834)
1775–1834 · Pen and ink on yellow tracing paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[The Royal Albert Bridge, Saltash, England]
Joseph Cundall (d. 1895)
ca. 1860 · Albumen silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Harlem Bridge, Now Being Erected Across the Harlem River, at the Terminus of the Third Avenue, New York
Endicott & Co. (d. 1886)
1864 · Lithograph with tint stones
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.