Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    335 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    387 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 31,130 matching records exist across the two collections.

Results for "A Bridge on the Aar, at the Foot of the"12 records

Institutions answered newest-first by record, interleaved

The Stone Bridge by Wenceslaus Hollar, The Metropolitan Museum of Art

The Stone Bridge

Wenceslaus Hollar (d. 1677)

1649 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
The Cottages at the Foot of a Mountain by Anthonie Waterloo, The Metropolitan Museum of Art

The Cottages at the Foot of a Mountain

Anthonie Waterloo (d. 1690)

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
A Bridge on the Aar, at the Foot of the Grimsel, in the Canton of Berne by Caspar Wolf, The Metropolitan Museum of Art

A Bridge on the Aar, at the Foot of the Grimsel, in the Canton of Berne

Caspar Wolf (d. 1783)

ca. 1775 · Watercolor and pencil; framing lines in black ink

Cleared · Public Domain

live
The MetSimilar
The Imado Bridge at the Foot of Mount Matsuchi by Utagawa Hiroshige, The Metropolitan Museum of Art

The Imado Bridge at the Foot of Mount Matsuchi

Utagawa Hiroshige (d. 1858)

early 19th century · Hanging scroll; ink and color on silk

Cleared · Public Domain

live
The MetSimilar
COLUMBIA BRIDGE. / ON THE / SUSQUEHANNA by William Ridgway & Co., The Metropolitan Museum of Art

COLUMBIA BRIDGE. / ON THE / SUSQUEHANNA

William Ridgway & Co. (d. 1854)

ca. 1840–ca. 1854 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar
The Bridge by Albert Pinkham Ryder, The Metropolitan Museum of Art

The Bridge

Albert Pinkham Ryder (d. 1917)

ca. 1880 · Oil on gilt leather

Cleared · Public Domain

live
The MetSimilar
The Forth Bridge by A. Duprez, The Metropolitan Museum of Art

The Forth Bridge

A. Duprez (d. 1950)

ca. 1890 · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

An Appeal to the Public Touching the Death of Mr. George Clarke, Who Received a Blow at Brentford on Thursday the Eighth of December last, of which he languished and died on Wednesday the Fourteenth of the same Month

John Foot (d. 1769)

1769 · Text only: letter press

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Footed Vessel with the Handle of the Lid in the Form of a Man

John Bridge (d. 1834)

1780–1834 · Pen and ink on yellow tracing paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Footed Vessel with the Handle of the Lid in the Form of a Woman

John Bridge (d. 1834)

1775–1834 · Pen and ink on yellow tracing paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[The Royal Albert Bridge, Saltash, England]

Joseph Cundall (d. 1895)

ca. 1860 · Albumen silver print from glass negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Harlem Bridge, Now Being Erected Across the Harlem River, at the Terminus of the Third Avenue, New York

Endicott & Co. (d. 1886)

1864 · Lithograph with tint stones

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.