
Seated Figure with vessel
Lagunillas artist(s)
200 BCE–200 CE · Ceramic, slip
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
354 ms. The Metropolitan Museum of Art, Collection API (Open Access)
316 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 476 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Seated Figure with vessel
Lagunillas artist(s)
200 BCE–200 CE · Ceramic, slip
Cleared · Public Domain
live
Shell Vessel
Colima artist(s)
200 BCE–300 CE · Ceramic, slip
Cleared · Public Domain
live
Seated Figure with Vessel
Colima artist(s)
200 BCE–300 CE · Ceramic, slip
Cleared · Public Domain
live
Standard Bearer
Colima artist(s)
200 BCE–300 CE · Ceramic, slip
Cleared · Public Domain
live
Turtle Vessel
Colima artist(s)
200 BCE–300 CE · Ceramic, slip
Cleared · Public Domain
live
Portrait of the Artist Johann Christian Reinhart
José de Madrazo (d. 1859)
1811 · Etching; proof
Cleared · Public Domain
live
Penton Hook
Sir Francis Seymour Haden (d. 1910)
1864 · Etching and drypoint; trial proof c (Harrington); third state of six (Schneiderman)
Cleared · Public Domain
live
Crucifix with Saint Anthony of Padua
Kongo artist
16th–18th century (pendant figure); 19th century (cross) · Brass, wood, lead-tin alloy sheet, plant fiber cord
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Catalogue of Collier's Artist Proofs
P. F. Collier & Son (d. 1930)
early 20th century · Illustrations: photomechanical process
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Scrapbook of halftone proofs (?) for a catalogue of Gold and Silver Plate
Rogers, Smith and Co. (d. 1950)
19th–20th century
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Double Crocodile Pendant
Lagoon artist
19th–mid-20th century · Gold
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Group of 33 proofs and 10 preparatory drawings for "Rebel Women from the Apocrypha"
Marcelle Hanselaar (d. 9999)
2023–24 · Etching and aquatint with charcoal; graphite
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.