
Fragments of a Stele with a Composition of Crosses and a Fish Body
Unrecorded maker
ca. 600 · Limestone; carved in relief
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
729 ms. The Metropolitan Museum of Art, Collection API (Open Access)
493 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 78,399 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Fragments of a Stele with a Composition of Crosses and a Fish Body
Unrecorded maker
ca. 600 · Limestone; carved in relief
Cleared · Public Domain
live
Composition with Red, Yellow, and Blue
Piet Mondrian (d. 1944)
1927 · Painting, oil on canvas
Cleared · CC0
live
Architectural Design for a Monumental Altar, with a Composition with Saint Michael Against Satan and two Saints (Saints Peter and Paul?)
Anonymous
n.d. · Pen and brown ink, over black chalk, brush with green, purple, yellow, and brown washes, ruler incisions.
Cleared · Public Domain
live
Composition
Otto Freundlich (d. 1943)
1924 · Drawing, pastel
Cleared · CC0
live
Fragment of a Composition with a Reclining Semi-Nude Man Surrounded by Soldiers and Other Onlookers in a Landscape
Luca Giordano (d. 1705)
1634–1705 · Pen and brown ink; squared in red chalk
Cleared · Public Domain
live
The Sacrifice of Isaac
Andrea del Sarto (d. 1530)
c. 1527 · Painting, oil on wood
Cleared · CC0
live
Roman arms, standards, and trophies, a composition divided into two horizontal bands
Giovanni Domenico Tiepolo (d. 1804)
1774 · Etching
Cleared · Public Domain
live
A Rishi Stirring Up a Storm
John La Farge (d. 1910)
1897 · Drawing, watercolor and gouache over graphite
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Composition
John Crome (d. 1821)
1812–13 · Etching on chine collé; second state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Composition–Men and Cows
John Crome (d. 1821)
1812–13 · Etching on chine collé; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fragments of a Composition, volume 3, plate 172 from "Monuments des Arts du Dessin"
Jean-Baptiste Mauzaisse (d. 1844)
1829 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Composition, from "Norfolk Picturesque Scenery"
John Crome (d. 1821)
1812–34 · Etching on chine collé; second state of three
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.