
Landscape with a Mounted Herdsman and Cows, a City in the Background
Jan Both (d. 1652)
17th century · Brush and brown and gray wash, over black chalk.
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
306 ms. The Metropolitan Museum of Art, Collection API (Open Access)
339 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,249 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Landscape with a Mounted Herdsman and Cows, a City in the Background
Jan Both (d. 1652)
17th century · Brush and brown and gray wash, over black chalk.
Cleared · Public Domain
live
The Adoration of the Shepherds
Battista Franco (d. 1561)
c. 1552 · Print, Etching and engraving
Cleared · CC0
live
Young Herdsmen with Cows
Aelbert Cuyp (d. 1691)
ca. 1655–60 · Oil on canvas
Cleared · Public Domain
live
Landscape with Herdsmen, Sheep and Cows Around a Fountain
Pieter Bout (d. 1719)
n.d. · Pen and gray and black ink, brush and gray wash
Cleared · Public Domain
live
Cows Crossing a Ford
Jules Dupré (d. 1889)
1836 · Oil on canvas
Cleared · Public Domain
live
Calling the Cows Home
Jean-François Millet (d. 1875)
ca. 1872 · Oil on wood
Cleared · Public Domain
live
Cows in a Landscape
Eugène-Joseph Verboeckhoven (d. 1881)
19th century · Black and white chalk on tracing paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Composition–Men and Cows
John Crome (d. 1821)
1812–13 · Etching on chine collé; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Composition: Men and Cows, from "Norfolk Picturesque Scenery"
John Crome (d. 1821)
1812–34 · Etching on chine collé; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Composition: Men and Cows, from "Norfolk Picturesque Scenery"
John Crome (d. 1821)
1812–34 · Etching on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings by the Late John Crome, founder of the Norwich Society of Artists, and Printed from the Plates as Left by Himself
John Crome (d. 1821)
1834 · Etching, softground etching, drypoint, all on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Calligraphic Composition
Unrecorded maker
first half 20th century · Paint on glass
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.