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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    222 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    286 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 272 matching records exist across the two collections.

Results for "A Corinthian capital on the ground at le"12 records

Institutions answered newest-first by record, interleaved

Marble pilaster capital by an unrecorded maker, The Metropolitan Museum of Art

Marble pilaster capital

Unrecorded maker

1st half of 1st century CE · Marble

Cleared · Public Domain

live
The MetSimilar
Double Capital with Masks and Birds by an unrecorded maker, The Metropolitan Museum of Art

Double Capital with Masks and Birds

Unrecorded maker

ca. 1140–60 · White marble

Cleared · Public Domain

live
The MetSimilar
Engaged Capital by an unrecorded maker, The Metropolitan Museum of Art

Engaged Capital

Unrecorded maker

late 12th–early 13th century · Limestone

Cleared · Public Domain

live
The MetSimilar
Double Capital by an unrecorded maker, The Metropolitan Museum of Art

Double Capital

Unrecorded maker

late 15th century · Marble

Cleared · Public Domain

live
The MetSimilar
Plate 4: a Corinthian capital on the ground, a monument with figures in low relief, various animals and two shepherds, from "Roman landscapes and ruins" (Paysages et ruines de Rome) by Stefano della Bella, The Metropolitan Museum of Art

Plate 4: a Corinthian capital on the ground, a monument with figures in low relief, various animals and two shepherds, from "Roman landscapes and ruins" (Paysages et ruines de Rome)

Stefano della Bella (d. 1664)

ca. 1643–48 · Etching

Cleared · Public Domain

live
The MetSimilar
A Corinthian capital on the ground at left, a monument with figures in low relief at left in the middleground, various animals and two shepherds at right, plate 4 from "Roman landscapes and ruins" (Paysages et ruines de Rome) by Stefano della Bella, The Metropolitan Museum of Art

A Corinthian capital on the ground at left, a monument with figures in low relief at left in the middleground, various animals and two shepherds at right, plate 4 from "Roman landscapes and ruins" (Paysages et ruines de Rome)

Stefano della Bella (d. 1664)

ca. 1646 · Etching; fourth state of nine (Talbierska)

Cleared · Public Domain

live
The MetSimilar
Louis XV: Education of the King by Jean Le Blanc, The Metropolitan Museum of Art

Louis XV: Education of the King

Jean Le Blanc (d. 1749)

1717 · Gilt bronze, lacquered ground

Cleared · Public Domain

live
The MetSimilar
Storming the Camp at Mount Gadan by Jacques Philippe Le Bas, The Metropolitan Museum of Art

Storming the Camp at Mount Gadan

Jacques Philippe Le Bas (d. 1783)

1769 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
The Battle at Oroi-jalatu by Jacques Philippe Le Bas, The Metropolitan Museum of Art

The Battle at Oroi-jalatu

Jacques Philippe Le Bas (d. 1783)

1770 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
David and Goliath, after a Capital in Vézelay Abbey by Eugène-Emmanuel Viollet-le-Duc, The Metropolitan Museum of Art

David and Goliath, after a Capital in Vézelay Abbey

Eugène-Emmanuel Viollet-le-Duc (d. 1879)

ca. 1840 · Graphite

Cleared · Public Domain

live
The MetSimilar
L'impératrice Eugénie en prière by Gustave Le Gray, The Metropolitan Museum of Art

L'impératrice Eugénie en prière

Gustave Le Gray (d. 1884)

1856 · Albumen silver print from a collodion glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Receuil d'Ornemens: Chapiteau Corinthièn Moderne vû sur l'angle (Modern Corinthian Capital seen at an angle)

André-Louis Caillouet (d. 1817)

ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine

In copyright

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The MetSimilar

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