
Plume
Lambayeque (Sicán) artist(s)
900–1375 CE · Gold
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
566 ms. The Metropolitan Museum of Art, Collection API (Open Access)
339 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 267 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plume
Lambayeque (Sicán) artist(s)
900–1375 CE · Gold
Cleared · Public Domain
live
Book of the Gospels
Northern Highlands artist
late 14th–early 15th century · Parchment (vellum), acacia wood, tempera, ink
Cleared · Public Domain
live
Tobacco Box
Samuel Burrill (d. 1740)
ca. 1730–40 · Silver
Cleared · Public Domain
live
Life in Camp, Part 2: The Rifle Pit
Winslow Homer (d. 1910)
1864 · Color lithograph
Cleared · Public Domain
live
Helmet crest from a nja masquerade
Grassfields artists
ca. 1800–80 · Wood, copper, glass beads, raffia palm, cowrie shells
Cleared · Public Domain
live
St. Ives Bridge, St. Ives, Huntingdonshire
William Fraser Garden (d. 1921)
1895 · Watercolor, pen and gray ink, touches of gouache (bodycolor), over graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Distinguished Member of the Humane Society
Sir Edwin Henry Landseer (d. 1873)
July 9, 1869 · Mixed method engraving on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait face mask from a mblo performance
Baule artist
late 19th–early 20th century · Wood, pigment, iron
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ikongo (ceremonial wooden axe)
Dengese artist
19th–first half of 20th century · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Imina Samana (Samana warrior face mask)
Dogon artist
First half of 20th century · Wood, pigment, iron
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Prestige vessel
Kuba artist
19th–first half of 20th century · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L’étouffement, éd. 8/8
Badara Camara (d. 1998)
ca. 1975 · Cotton (warp), wool (weft), and other unidentified fibers
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.