
A Dog Looking to the Right
Tobias Stimmer (d. 1584)
1564 · Pen and gray ink, brush and black and gray wash
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
325 ms. The Metropolitan Museum of Art, Collection API (Open Access)
422 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 33,094 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

A Dog Looking to the Right
Tobias Stimmer (d. 1584)
1564 · Pen and gray ink, brush and black and gray wash
Cleared · Public Domain
live
Hunting near Hartenfels Castle
Lucas Cranach (d. 1553)
1540 · Painting, oil, originally on wood, transferred to masonite
Cleared · CC0
live
Bearded Head, Looking Down to the Right
Jacques de Gheyn, III (d. 1641)
1620–30 · Pen and brown ink on brown prepared paper
Cleared · Public Domain
live
Black-Figure White-Ground Lekythos (Oil Vessel): Horseman, Horse between Warriors, Dog
Edinburgh Painter
c. 500 BCE · Ceramic, ceramic
Cleared · CC0
live
Shock Dog (nickname for a dog of the Maltese breed)
Anne Seymour Damer (d. 1828)
probably 1782 · Carrara marble
Cleared · Public Domain
live
Shepherds in a Round Dance
Unrecorded maker
around 1500 · Tapestry, Wool and silk: tapestry weave
Cleared · CC0
live
Profile of a man looking to the right
José Guadalupe Posada (d. 1913)
ca. 1880–1910 (a later impression) · Type-metal engraving
Cleared · Public Domain
live
Swift Dog Strikes an Enemy
Swift Dog (d. 1925)
ca. 1880 · Watercolor and ink on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A figure wearing drapery looking behind to the right
Salvator Rosa (d. 1673)
after 1656–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Young Woman Looking to the Right, Holding a Fan
Thomas Frye (d. 1762)
1760 · Mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Young Woman Looking to the Right, Holding a Fan
Thomas Frye (d. 1762)
1761 · Mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bearded man looking to the right
Stefano Mulinari (d. 1795)
18th century · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.