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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    336 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    347 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "A Dying Ecclesiastic Supported by an Ang"7 records

Institutions answered newest-first by record, interleaved

Painted limestone funerary stele with a woman in childbirth by an unrecorded maker, The Metropolitan Museum of Art

Painted limestone funerary stele with a woman in childbirth

Unrecorded maker

late 4th–early 3rd century BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Pilgrim's Badge of the Shrine of St. Thomas Becket at Canterbury by an unrecorded maker, The Metropolitan Museum of Art

Pilgrim's Badge of the Shrine of St. Thomas Becket at Canterbury

Unrecorded maker

1350–1400 · Cast tin-lead alloy

Cleared · Public Domain

live
The MetSimilar
Panel of velvet by an unrecorded maker, The Metropolitan Museum of Art

Panel of velvet

Unrecorded maker

mid-15th century · Silk and metal-wrapped thread; pile-on-pile cut, voided, brocaded velvet with metal-wrapped thread loops

Cleared · Public Domain

live
The MetSimilar
Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671) by Pietro da Cortona (Pietro Berrettini), The Metropolitan Museum of Art

Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671)

Pietro da Cortona (Pietro Berrettini) (d. 1669)

ca. 1635 · Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown paper

Cleared · Public Domain

live
The MetSimilar
Standing Cup and Cover Supported by an Enchained Turk by an unrecorded maker, The Metropolitan Museum of Art

Standing Cup and Cover Supported by an Enchained Turk

Unrecorded maker

ca. 1705–11 · Jade (nephrite), aragonite, chalcedony, banded agate, gold, silver gilt, diamonds, rubies, garnets, enamel, and paint.

Cleared · Public Domain

live
The MetSimilar
A Dying Ecclesiastic Supported by an Angel by Gaetano Gandolfi, The Metropolitan Museum of Art

A Dying Ecclesiastic Supported by an Angel

Gaetano Gandolfi (d. 1802)

1760–70 · Pen and brown ink, brush and gray wash, over traces of black chalk

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873

Dalziel Brothers (d. 1893)

1860–73 · Wood engraving

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.