Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    236 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    283 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 35 matching records exist across the two collections.

Results for "A Fire In My Belly (Film In Progress) an"12 records

Institutions answered newest-first by record, interleaved

A True and Thorough Instruction in Geometry (Ein aigentliche und grundtliche anweysung in die Geometria) by Augustin Hirschvogel, The Metropolitan Museum of Art

A True and Thorough Instruction in Geometry (Ein aigentliche und grundtliche anweysung in die Geometria)

Augustin Hirschvogel (d. 1553)

1543 · Etching

Cleared · Public Domain

live
The MetSimilar
View of the Tunnel of the Harlem Railroad by Nicolino Calyo, The Metropolitan Museum of Art

View of the Tunnel of the Harlem Railroad

Nicolino Calyo (d. 1884)

ca.1837 · Gouache on off-white wove paper

Cleared · Public Domain

live
The MetSimilar
My Bunkie by Charles Schreyvogel, The Metropolitan Museum of Art

My Bunkie

Charles Schreyvogel (d. 1912)

finished 1899 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Guitar and Clarinet on a Mantelpiece

Pablo Picasso (d. 1973)

1915 · Oil, sand, and paper on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Blind Beggars

Jacob Lawrence (d. 2000)

1938 · Tempera over graphite on illustration board

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fire Off Third Avenue

Julius Tanzer (d. 1963)

1935–43 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Warehouse Fire

Harry R. Rein (d. 1969)

1935–43 · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Labor in a Diesel Plant

Letterio Calapai (d. 1993)

1941 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Allen Ginsberg and Gregory Corso Seated on Floor in Conversation, During Filming of "Pull My Daisy", New York City]

John Cohen (d. 2019)

1959 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

TV Hijack. February 9, 1972

Chris Burden (d. 2015)

1972 · Gelatin silver print; chromogenic print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Fire In My Belly (Film In Progress) and A Fire In My Belly (Excerpt)

David Wojnarowicz (d. 1992)

1986–87 · Single-channel digital video, transferred from Super-8 film, black-and-white and color, silent, 21 min.

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

I Live In My Own World, But It’s Ok, They Know Me Here

Sigmar Polke (d. 2010)

2002 · Mixed media on fabric

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.